When you have all the bells and whistles - you've got the big, fancy catering, you've got the big, fancy car service and the big, fancy trailer - it makes it very comfortable and everybody's making a lot of money. But that doesn't necessarily mean you're going to end up with a great film.
I can look at myself in the mirror every night knowing I've never ever pretended to be someone I know I'm not for the sake of showbiz industry. I believe that it's important to live by your truth in order to be able to sleep peacefully when you rest your head at night. I've gone off and taken breaks, not necessarily by choice, but life has a way of giving you breaks, even when you don't want them, especially in this industry. So, I've had a chance to raise my children and to be a mom, and to come back to do more in film and television. I really cannot complain.
I think classic films are classic for a reason. It's always sketchy to redo one, especially if you're trying to make it contemporary. That's really just not the way to go.
It would certainly would be great to see more films featuring the black family and showing that we are capable of having that unit strong and present and beautiful, because that's so much of who we really are.
I'm working on a project called Lemons, produced by Killer Films. The director has a great perspective on character development.
I'm also working on another independent film called Roxanne, Roxanne, about Roxanne Shante, who was one of the first African American battle rappers from Brooklyn. It is produced by Forest Whitaker and Pharrell [williams], so I'm really in great hands.
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