It's the notion that there is no perfection - that there is a broken world and we live with broken hearts and broken lives but still there is no alibi for anything. On the contrary, you have to stand up and say hallelujah under those circumstances.
To keep our hearts open is probably the most urgent responsibility you have as you get older.
Children show scars like medals. Lovers use them as secrets to reveal. A scar is what happens when the word is made flesh.
He can love the shape of human beings, the fine and twisted shapes of the heart. It is good to have among us such men, such balancing monsters of love.
Every heart to Love will come, but like a refugee
Well, you know, there's depression and depression. What I mean by depression in my own case is that depression isn't just the blues. It's not just like I have a hangover in the weekend ... the girl didn't show up or something like that. It isn't that. It's not really depression, it's a kind of mental violence which stops you from functioning properly from one moment to the next. You lose something somewhere and suddenly you're gripped by a kind of angst of the heart and of the spirit.
It's coming to America first, The cradle of the best and of the worst. It's here they got the range And the machinery for change And it's here they got the spiritual thirst. It's here the family's broken And it's here the lonely say That the heart has got to open In a fundamental way: Democracy is coming to the U.S.A. O mighty Ship of State! To the Shores of Need Past the Reefs of Greed Through the Squalls of Hate Sail on, sail on.
I have nothing against the Queen of England. Even in my heart I never resented her for not being Jackie Kennedy. She is, to my mind, a very gallant lady, victimized by whoever it is who designs the tops of her uniforms.
No one masters the heart.
Why don't you try to do without him, why don't you try to live alone? Do you really need his hands for your passion? Do you really need his heart for your throne? Do you need his labor for your baby? Do you need his beast for the bone? Do you need to hold a leash to be a lady? I know that you can make it, you can make it on your own.
Maybe there's a god above but the only thing I learned from love was how to shoot at somebody who outdrew you.
My heart sings of your longing for me, and my thoughts climb down to marvel at your mercy. I do not fear as you gather up my days. Your name is the sweetness of time, and you carry me close into the night, speaking consolations, drawing down lights from the sky, saying, See how the night has no terrors for one who remembers the name.
Undertow" "I set out one night When the tide was low There were signs in the sky But I did not know I'd be caught in the grip Of the undertow Ditched on a beach Where the sea hates to go With a child in my arms And a chill in my soul And my heart the shape Of a begging bowl
It’s a pity if someone… has to console himself for the wreck of his days with the notion that somehow his voice, his work embodies the deepest, most obscure, freshest, rawest oyster of reality in the unfathomable refrigerator of the heart’s ocean, but I am such a one, and there you have it.
From bitter searching of the heart, quickened with passion and with pain we rise to play a greater part this is the faith from which we start.
Well, I've been waiting, I was sure we'd meet between the trains we're waiting for I think it's time to board another Please understand, I never had a secret chart to get me to the heart of this or any other matter
Who could have foretold the heart grows old from touching others
I see people allowing their lives to diminish, to become shallow, so they can't enjoy the deep wells of experience. Maybe it's always been this way, when the heart tends to shut down. If only the heart shut down and there were no repercussions, it would be O.K., but when the heart shuts down, the whole system goes into a kind of despair that is intolerable.
And sometimes when the night is slow The wretched and the meek We gather up our hearts and go A Thousand Kisses Deep.
Your heart opens and of course you're completely panicked because you're used to guarding this organ with your life.
And most people have a woman in their heart, most men have a woman in their heart and most women have a man in their heart.
I think that really what our training, what our culture, our religious institutions, our educational and cultural institutions should be about is preparing the heart for that journey outside of the cage of the ribs.
A song, you know, you've got a tempo. You know,you've got something that is moving swiftly. You can't stop it, you know? Andit's designed to move swiftly from, you know, mouth to mouth, heart to heart,where a poem really speaks to something that has no time and that is - it's acompletely different perception.
Part of the shabbiness of our culture, if indeed it is shabby, is that it doesn't seem to prepare people. With all the songs about love and all the movies and all the books, there doesn't seem to be any way that we can prepare the human heart for this experience.
We've got to temper anything we say with that. On the other hand, you've got to be serious about what you do. And you've got to understand the price you pay for frivolity or just for greed - it's a very high price, especially if you're involved in this sacred material, which is about the human heart and human desire and human tragedy.
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