It doesn't upset artists to find out that artists used lenses or mirrors or other aids, but it certainly does upset the art historians.
I can't always reach the image in my mind... almost never, in fact... so that the abstract image I create is not quite there, but it gets to the point where I can leave it.
If it looks like art, chances are it's somebody else's art.
At the same time that I'm finding the color world I want, I'm also trying to make the imagery, you know, by the nature of the strokes themselves.
The first thing I do is take Polaroids of the sitter - 10 or 12 color Polaroids and eight or 10 black-and whites.
Losing my father at a tender age was extremely important in being able to accept what happened to me later when I became a quadriplegic.
I've always thought that problem-solving is highly overrated and that problem creation is far more interesting.
I think the problem with the arts in America is how unimportant it seems to be in our educational system.
I think I was driven to paint portraits to commit images of friends and family to memory. I have face blindness, and once a face is flattened out, I can remember it better.
The camera is objective. When it records a face it can't make any hierarchical decisions about a nose being more important than a cheek. The camera is not aware of what it is looking at. It just gets it all down.
Part of the joy of looking at art is getting in sync in some ways with the decision-making process that the artist used and the record that's embedded in the work.
I wanted to translate from one flat surface to another.In fact, my learning disabilities controlled a lot of things. I don't recognize faces, so I'm sure it's what drove me to portraits in the first place.
In the 7th grade, I made a 20-foot long mural of the Lewis and Clark Trail while we were studying that in history because I knew I wasn't going to be able to spit back the names and the dates and all that stuff on a test.
Any artist who goes to Las Vegas is an idiot as far as I am concerned. Whoever goes to Las Vegas can stay in Las Vegas.
I have a great deal of difficulty recognizing faces, especially if I haven't - if I've just met somebody, it's hopeless.
There are so many artists that are dyslexic or learning disabled, it's just phenomenal. There's also an unbelievably high proportion of artists who are left-handed, and a high correlation between left-handedness and learning disabilities.
I only use three primaries, so the nice thing is I can't have favorite colors.
I love sculpture, and minimal sculpture is really my favorite stuff, but I wasn't very good at it, and I don't think in a three-dimensional way.
There are things about signing on to a process over the long term that protect you from the buffeting winds of change.
I never said the camera was truth. It is, however, a more accurate and more objective way of seeing.
All the fingerprint paintings are done without a grid.
After a few days in hospital, I was thinking, Oh, gee - I raised in a church, Protestant upbringing which I'd rejected as an adult - I'm lying in bed thinking, Hmmm, maybe I ought to pray. They always say there are no atheists in a foxhole... and I thought, Here I am in a pretty good-sized foxhole... and I thought Naahhh. I wouldn't respect any God who would listen to me after I'd rejected him so vociferously.
Most people are good at too many things. And when you say someone is focused, more often than not what you actually mean is they're very narrow.
What difference does it make whether you're looking at a photograph or looking at a still life in front of you? You still have to look.
I love making art... It's largely how I see myself. I'm an artist; therefore I have to make art.
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