Inspiration is for amateurs - the rest of us just show up and get to work. And the belief that things will grow out of the activity itself and that you will - through work - bump into other possibilities and kick open other doors that you would never have dreamt of if you were just sitting around looking for a great "art idea."
You know, the way art history is taught, often there's nothing that tells you why the painting is great. The description of a lousy painting and the description of a great painting will very much sound the same.
It doesn't upset artists to find out that artists used lenses or mirrors or other aids, but it certainly does upset the art historians.
Those who are waiting for an epiphany to strike may wait forever. The artist simply goes to work, making art, both good and not so good.
In life you can be dealt a winning hand of cards and you can find a way to lose, and you can be dealt a losing hand and find a way to win. True in art and true in life: you pretty much make your own destiny. If you are by nature an optimistic person, which I am, that puts you in a better position to be lucky in life.
If it looks like art, chances are it's somebody else's art.
I build a painting by putting little marks together-some look like hot dogs, some like doughnuts.
I think the problem with the arts in America is how unimportant it seems to be in our educational system.
In my art, I deconstruct and then I reconstruct, so visual perception is one of my primary interests.
Part of the joy of looking at art is getting in sync in some ways with the decision-making process that the artist used and the record that's embedded in the work.
Art saved my life in two ways. It made me feel special, because I could do things my friends couldn't, but it also gave me a way to demonstrate to my teacher that, despite the fact that I couldn't write a paper or do math, I was paying attention.
I love making art... It's largely how I see myself. I'm an artist; therefore I have to make art.
When you come up in the art world, whatevers in the air, the issues of the moment, end up becoming part of the working method or modus operandi of how you think about doing a painting. And I came up at a time when-actually painting was dead when I came up. Sculpture sort of ruled.
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