I left my theatre the Loose Moose almost twenty years ago, and I hardly ever go back. Sometimes I go back to do a Mask class. They're doing more of this than I was doing when I left. Often it's the same improvisers but they're older. And now, they don't care if the theatre's full or not.
My feeling is the moment the theatre is not full you have to do something else. But most people somehow think 'If we did it better, they would come'. No. They don't come.
Very hard to get an audience. So if you're going to fill the theatre, you can't just rely on old stuff.
In my school, the library was forbidden. I was accused of turning on the radiator so that the [class]room was uninhabitable and the ceiling came down below; I'm pretty sure I didn't do it. But then we were moved to the library. And there was a really boring history thing, about the Spanish Armada: how could you make that boring?!So I reached my hand out, and slid a book off to read under the desk, and it opened at King Lear Act Four Scene Six. I was astounded. I'd never seen language like it. I was awestruck. I think that may be one reason why I got involved in theatre.
Every theatre worth anything has somebody in the middle of it who is driving it; like Joan Littlewood with her theatre.
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