Language is an impure medium. Speech is public property and words are the soiled products, not of nature, but of society, which circulates and uses them for a thousand different ends.
We're trying to make something that lasts in language and there's no question that many fiction writers began as poets and it's hard for me to think of any good fiction writers who don't also read poetry.
Fiction writers learn about the development of metaphor, the use of rhythm, the way that language is compacted in order to express the feelings of - express their own feelings and the feelings of their characters.
In Náhuatl, the language of the Aztec world, one key word for poet was 'tlamatine,' meaning 'the one who knows,' or 'he who knows something.' Poets were considered 'sages of the word,' who meditated on human enigmas and explored the beyond, the realm of the gods.
I think fiction goes to poetry for the intensity of its use of language.
Poetry connects us to what is deepest in ourselves. It gives us access to our own feelings, which are often shadowy, and engages us in the art of making meaning. It widens the space of our inner lives. It is a magical, mysterious, inexplicable (though not incomprehensible) event in language.
There's never been a culture without poetry in the history of the world. In every culture, in every language there is expressive play, expressive word play, there's language use to different purposes that we would call poetry.
I don't think poetry will die, but I think that poetry does demand a certain kind of attention to language.
When I taught at the University of Houston in the Creative Writing program we required the poets to take workshops in fiction writing and we required the fiction writers to take workshops in poetry. And the reason for that is because the fiction writers seemed to need to learn how to pay greater attention to language itself, to the way that language works.
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