I really wanted to make a nonpolitical political film. I wanted something that folks in red states and blue states could look at and not ask if this is the right thing to do to be in this war, but what this war is doing to the fabric of our society.
You don't make a film because the audience is ready for it. You make a film because you have questions that are in your gut.
I don't think it's the job of filmmakers to give anybody answers. I do think, though, that a good film makes you ask questions of yourself as you leave the theatre.
Independent films are very hard to get made, but I'm lucky enough to get them made, so I'm going to keep doing it. I like my independence. I like being able to tell a story the way I want to tell a story. I don't like developing it with a team. I like coming to a story and deciding whether I want to do it or not.
I wanted to do a political film that is as nonpartisan as can be, because I wanted to do a story that was American. I wanted to tell an American tragedy.
If you make a film and then two and a half, three years later, suddenly the country's changed and you look like you just happened to hit it. I actually like being contrarian. I would have preferred to come out three years ago when everyone was disagreeing with me. But hopefully it asks a lot of questions about our responsibility in sending young men and women to war, especially a war that's so complex, where there's no right answer, where they're forced with impossible decisions every day.
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