There are two things in the painter, the eye and the mind; each of them should aid the other.
Monet is only an eye, but my God, what an eye!
Art first of all is optical. That's where the material of our art is: in what our eyes think.
You must think. The eye is not enough; it needs to think as well.
Shut your eyes, wait, think of nothing. Now, open them ... one sees nothing but a great coloured undulation. What then? An irradiation and glory of colour. This is what a picture should give us ... an abyss in which the eye is lost, a secret germination, a coloured state of grace ... loose conciousness. Descend with the painter into the dim tangled roots of things, and rise again from them in colours, be steeped in the light of them.
In order to make progress, there is only nature, and the eye is turned through contact with her.
To achieve progress nature alone counts, and the eye is trained through contact with her. It becomes concentric by looking and working.
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