Writing ought either to be the manufacture of stories for which there is a market demand - a business as safe and commendable as making soap or breakfast foods - or it should be an art, which is always a search for something for which there is no market demand, something new and untried, where the values are intrinsic and have nothing to do with standardized values.
What was any art but a mould in which to imprison for a moment the shining elusive element which is life itself - life hurrying past us and running away, too strong to stop, too sweet to lose.
A child's attitude toward everything is an artist's attitude.
Religion and art spring from the same root and are close kin.
The air and the earth interpenetrated in the warm gusts of spring; the soil was full of sunlight, and the sunlight full of red dust. The air one breathed was saturated with earthy smells, and the grass under foot had a reflection of the blue sky in it.
Every artist knows that there is no such thing as "freedom" in art. The first thing an artist does when he begins a new work is to lay down the barriers and limitations; he decides upon a certain composition, a certain key, a certain relation of creatures or objects to each other. He is never free, and the more splendid his imagination, the more intense his feeling, the farther he goes from general truth and general emotion.
Many people seem to think that art is a luxury to be imported and tacked on to life. Art springs out of the very stuff that life is made of. Most of our young authors start to write a story and make a few observations from nature to add local color. The results are invariably false and hollow. Art must spring out of the fullness and richness of life.
Art and religion (they are the same thing, in the end, of course) have given man the only happiness he has ever had.
Art, it seems to me, should simplify finding what conventions of form and what detail one can do without and yet preserve the spirit of the whole - so that all that one has suppressed and cut away is there to the reader's consciousness as much as if it were in type on the page.
Art is a concrete and personal and rather childish thing after all - no matter what people do to graft it into science and make it sociological and psychological; it is no good at all unless it is let alone to be itself - a game of make-believe, or re-production, very exciting and delightful to people who have an ear for it or an eye for it.
After all, the supreme virtue in all art is soul, perhaps it is the only thing which gives art a right to be.
The condition every art requires is, not so much freedom from restriction, as freedom from adulteration and from the intrusion of foreign matter.
Art, it seems to me, should simplify.
No nation has ever produced great art that has not made a high art of cookery, because art appeals primarily to the senses.
Youth, art, love, dreams, true-heartedness - why must they go out of the summer world into darkness?
[Some] people really expect the passion of love to fill and gratify every need of life, whereas nature only intended that it should meet one of many demands. They insist on making it stand for all the emotional pleasures of life and art; expecting an individual and self-limited passion to yield infinite variety, pleasure, and distraction, and to contribute to their lives what the arts and the pleasurable exercise of the intellect gives to less limited and less intense idealists.
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