One of the great disadvantages of a literary or scriptural tradition like the biblical one is that a deity or context of deities becomes crystallized, petrified at a certain time and place. The deity doesn’t continue to grow, expand, or take into account new cultural forces and new realizations in the sciences, and the result is this make-believe conflict we have in our culture between science and religion.
The usual marriage in traditional cultures was arranged for by the families. It wasn't a person-to-person decision at all. . . . In the Middle Ages, that was the kind of marriage that was sanctified by the Church. And so the troubadour idea of real person-to-person Amor was very dangerous. . . . It is in direct contradiction to the way of the Church. The word AMOR spelt backwards is ROMA, the Roman Catholic Church, which was justifying marriages that were simply political and social in their character. And so came this movement validating individual choice, what I call following your bliss.
Myths are so intimately bound to culture, time, and place that unless the symbols, the metaphors, are kept alive by constant recreation through the arts, the life just slips away from them.
When an idea is important to a person or culture it will find its way into imagery.
The function of the artist is the mythologization of the culture and the world. In the visual arts there were two men whose work handled mythological themes in a marvelous way: Paul Klee and Pablo Picasso.
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