Ho Kyuns poetry is in the tradition of his master, the incomparable Tu Fu, while remaining fully his own. Writing nine centuries later, Hos poetry strikes many parallels--the experiences of war and exile and constant struggle-- and his voice is similarly humane. This is rich and enlightening reading.
I would say that my great political awakening was really born on Okinawa, reading Albert Camus: the "Neither Victims nor Executioners" essay and The Rebel. I was an eighteen-year-old kid. I hated myself. I hated my life. I thought nobody wanted me.
I got interested in Zen when I was a teenage beatnik on the streets of San Francisco. And it was my interest in Zen, in part, that got me into the Marine Corps, because that was a ticket to Asia. So I spent a couple of years on Okinawa and began reading and thinking about how I wanted to go about conducting my life.
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