Italo Calvino Quotes - Page 5

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• The line between the reality that is photographed because it seems beautiful to us and the reality that seems beautiful because it has been photographed is very narrow.

  Italo Calvino

  Beautiful, Reality, Lines

  Italo Calvino (2017). “Difficult Loves”, p.61, Houghton Mifflin Harcourt

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• Very often the effort men put into activities that seem completely useless turns out to be extremely important in ways no one could foresee. Play has always been the mainspring of culture.

  Italo Calvino

  Men, Playing Games, Effort

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• When I'm writing a book I prefer not to speak about it, because only when the book is finished can I try to understand what I've really done and to compare my intentions with the result.

  Italo Calvino

  Book, Writing, Trying

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• I am a prisoner of a gaudy and unlivable present, where all forms of human society have reached an extreme of their cycle and there is no imagining what new forms they may assume.

  Italo Calvino

  May, Assuming, Form

  Italo Calvino (2010). “Invisible Cities”, p.123, Random House

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• Your first book is the only one that matters. Perhaps a writer should write only that one. That is the one moment when you make the big leap; the opportunity to express yourself is offered that once, and you untie the knot within you then or never again.

  Italo Calvino

  Book, Writing, Opportunity

  Italo Calvino (1976). “The Path to the Nest of Spiders”

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• New York is perhaps the only place in America where you feel at the centre and not at the margins, in the provinces, so for that reason I prefer its horror to this privileged beauty, its enslavement to the freedoms which remain local and privileged and very particularized, and which do not represent a genuine antithesis.

  Italo Calvino

  New York, America, Horror

  Italo Calvino (2014). “Hermit in Paris: Autobiographical Writings”, p.86, Houghton Mifflin Harcourt

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• It's better not to know authors personally, because the real person never corresponds to the image you form of him from reading his books.

  Italo Calvino

  Real, Book, Reading

  "Enter the maze" by David Mitchell, www.theguardian.com. May 22, 2004.

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• The human race is a zone of living things that should be defined by tracing its confines.

  Italo Calvino

  Race, Should, Humans

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• A classic is the term given to any book which comes to represent the whole universe, a book on a par with ancient talismans.

  Italo Calvino

  Book, Classic, Ancient

  Italo Calvino (2014). “Why Read the Classics?”, p.6, Houghton Mifflin Harcourt

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• My working method has more often than not involved the subtraction of weight. I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language. . . . Maybe I was only then becoming aware of the weight, the inertia, the opacity of the world--qualities that stick to the writing from the start, unless one finds some way of evading them.

  Italo Calvino

  Writing, Cities, People

  "Six Memos For This Millennium" by Sam Cooney, therumpus.net. November 22, 2010.

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• every choice has its obverse, that is to say a renunciation, and so there is no difference between the act of choosing and the act of renouncing

  Italo Calvino

  Differences, Choices, Renunciation

  Italo Calvino (2010). “The Castle Of Crossed Destinies”, p.56, Random House

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• The more enlightened our houses are, the more their walls ooze ghosts.

  Italo Calvino

  Wall, House, Ghost

  Italo Calvino (2017). “The Uses of Literature”, p.25, Houghton Mifflin Harcourt

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• For those who pass it without entering, the city is one thing; it is another for those who are trapped by it and never leave. There is the city where you arrive for the first time; and there is another city which you leave never to return. Each deserves a different name; perhaps I have already spoken of Irene under other names; perhaps I have spoken only of Irene.

  Italo Calvino

  Cities, Names, Different

  Italo Calvino (2013). “Invisible Cities”, p.133, Houghton Mifflin Harcourt

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• Each new Clarice, compact as a living body with its smells and its breath, shows off, like a gem, what remains of the ancient Clarices, fragmentary and dead.

  Italo Calvino

  Smell, Cairo, Body

  Italo Calvino (2013). “Invisible Cities”, p.115, Houghton Mifflin Harcourt

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• When politicians and politically minded people pay too much attention to literature, it is a bad sign - a bad sign mostly for literature. But it is also a bad sign when they don't want to hear the word mentioned.

  Italo Calvino

  People, Attention, Literature

  Italo Calvino (2017). “The Uses of Literature”, p.99, Houghton Mifflin Harcourt

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• There is nothing for it but for all of us to invent our own ideal libraries of classics. I would say that such a library ought to be composed half of books we have read and that have really counted for us, and half of books we propose to read and presume will come to count—leaving a section of empty shelves for surprises and occasional discoveries

  Italo Calvino

  Book, Discovery, Leaving

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• It is only through the confining act of writing that the immensity of the nonwritten becomes legible

  Italo Calvino

  Writing, Immensity

  "Enter the maze" by David Mitchell, www.theguardian.com. May 22, 2004.

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• ...and every Wednesday the perfumed young lady slips me a hundred-crown note to leave her alone with the convict. And by Thursday the hundred crowns are already gone in so much beer. And when the visiting hour is over, the young lady comes out with the stink of jail in her elegant clothes; and the prisoner goes back to his cell with the lady's perfume in his jailbird's suit. And I'm left with the smell of beer. Life is nothing but trading smells.

  Italo Calvino

  Beer, Cells, Smell

  Italo Calvino (2012). “If on a winter's night a traveler”, p.76, Houghton Mifflin Harcourt

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• Today each of you is the object of the other’s reading, one reads in the other the unwritten story.

  Italo Calvino

  Reading, Stories, Today

  Italo Calvino (2010). “If On A Winter's Night A Traveller”, p.156, Random House

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• The satirist is prevented by repulsion from gaining a better knowledge of the world he is attracted to, yet he is forced by attraction to concern himself with the world that repels him.

  Italo Calvino

  World, Concern, Attraction And Repulsion

  Italo Calvino (2017). “The Uses of Literature”, p.69, Houghton Mifflin Harcourt

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• The book I'm looking for,' says the blurred figure, who holds out a volume similar to yours, 'is the one that gives the sense of the world after the end of the world, the sense that the world is the end of everything that there is in the world, that the only thing there is in the world is the end of the world.

  Italo Calvino

  Book, Giving, World

  Italo Calvino (2010). “If On A Winter's Night A Traveller”, p.243, Random House

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• Biographical data, even those recorded in the public registers, are the most private things one has, and to declare them openly is rather like facing a psychoanalyst.

  Italo Calvino

  Data, Autobiography, Register

  Italo Calvino (2017). “The Uses of Literature”, p.345, Houghton Mifflin Harcourt

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• Your house, being the place in which you read, can tell us the position books occupy in your life, if they are a defense you set up to keep the outside world at a distance, if they area dream into which you sink as if into a drug, or bridges you cast toward the outside, toward the world that interests you so much that you want to multiply and extend its dimensions through books.

  Italo Calvino

  Dream, Distance, Book

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• The contradiction [trying to use Russian model to reshape Italy] grew to such an extent that I felt totally cut off from the communist world and, in the end, from politics. That was fortunate. The idea of putting literature in second place, after politics, is an enormous mistake, because politics almost never achieves its ideals.

  Italo Calvino

  Mistake, Cutting, Ideas

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• The things that the novel does not say are necessarily more numerous than those it does say and only a special halo around what is written can give the illusion that you are reading also what is not written.

  Italo Calvino

  Reading, Giving, Special

  Italo Calvino (2010). “If On A Winter's Night A Traveller”, p.203, Random House

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