A classic is a book that has never finished saying what it has to say.
When politicians and politically minded people pay too much attention to literature, it is a bad sign - a bad sign mostly for literature. But it is also a bad sign when they don't want to hear the word mentioned.
The struggle of literature is in fact a struggle to escape from the confines of language; it stretches out from the utmost limits of what can be said; what stirs literature is the call and attraction of what is not in the dictionary.
Whether there is such a thing as Reality, of which the various levels are only partial aspects, or whether there are only levels, is something that literature cannot decide. Literature recognizes rather the *reality of the levels.*
Literature remains alive only if we set ourselves immeasurable goals, far beyond all hope of achievement. Only if poets and writers set themselves tasks that no one else dares imagine will literature continue to have a function.
My confidence in the future of literature consists in the knowledge that there are things that only literature can give us, by means specific to it.
The close-up has no equivalent in a narrative fashioned of words. Literature is totally lacking in any working method to enable it to isolate a single vastly enlarged detail in which one face comes forward to underline a state of mind or stress the importance of a single detail in comparison with the rest. As a narrative device, the ability to vary the distance between the camera and the object may be a small thing indeed, but it makes for a notable difference between cinema and oral or written narrative, in which the distance between language and image is always the same.
In an age when other fantastically speedy, widespread media are triumphing, and running the risk of flattening all communication onto a single, homogenous surface, the function of literature is communication between things that are different simply because they are different, not blunting but even sharpening the differences between them, following the true bent of written language.
The contradiction [trying to use Russian model to reshape Italy] grew to such an extent that I felt totally cut off from the communist world and, in the end, from politics. That was fortunate. The idea of putting literature in second place, after politics, is an enormous mistake, because politics almost never achieves its ideals.
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