Christina Stead Quotes - Page 3

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• People who don't like scandals shouldn't be in finance.

  Christina Stead

  People, Scandal, Finance

  Christina Stead (2012). “House of All Nations”, p.540, Open Road Media

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• Socialist writers are made of sterner stuff than those who only let their characters steeplechase through trouble in order to comeout first in the happy ending of moral uplift.

  Christina Stead

  Uplifting, Character, Order

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• Humorists are always pessimists. They're reactionaries: because they see that every golden cloud has a black lining.

  Christina Stead

  Clouds, Black, Golden

  Christina Stead (2012). “I'm Dying Laughing: The Humourist”, p.28, Open Road Media

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• Pukka sahib or rank outsider--gentleman or bounder--and it's accent, accent, all the way.

  Christina Stead

  Gentleman, Way, Outsiders

  Christina Stead (1945). “For Love Alone”, p.285, The Miegunyah Press

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• And gold has no name, it licks the hand of anyone who has it: good dog!

  Christina Stead

  Dog, Money, Hands

  Christina Stead (2012). “House of All Nations”, p.246, Open Road Media

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• A dominant race did not lie, because it had the whip.

  Christina Stead

  Lying, Race, Political

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• Weak, tea-drinking, effeminate, ineffectual--masters of India, robbers of South Africa, bedevillers of all Europe.

  Christina Stead

  Drinking, Europe, Tea

  Christina Stead (1945). “For Love Alone”, p.419, The Miegunyah Press

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• All new money is made through the shifting of social classes and the dispossession of old classes.

  Christina Stead

  Money, Class, Shifting

  Christina Stead (2012). “House of All Nations”, p.32, Open Road Media

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• Men never believe a woman can do anything.

  Christina Stead

  Believe, Men, Sexism

  Christina Stead (2012). “House of All Nations”, p.464, Open Road Media

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• The City is a machine miraculously organised for extracting gold from the seas, airs, clouds, from barren lands, holds of ships, mines, plantations, cottage hearth-stones, trees and rocks; and he, wretchedly waiting in the exterior halls, could not even get his finger on one tiny, tiny lever.

  Christina Stead

  Art, Clouds, Rocks

  Christina Stead, Anita Segerberg (1994). “Christina Stead, Selected Fiction and Nonfiction”, UQP

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• It's fine to be a great democrat when you've a slave to rub your boots on.

  Christina Stead

  Men, Hypocrisy, Boots

  Christina Stead (2016). “The Man Who Loved Children”, p.63, Head of Zeus

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• If equity and human natural reason were allowed there would be no law, there would be no lawyers.

  Christina Stead

  Law, Would Be, Reason

  Christina Stead (2012). “House of All Nations”, p.188, Open Road Media

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• Everyone likes the obscene; that is real life.

  Christina Stead

  Real, Likes, Obscenity

  Christina Stead (1945). “For Love Alone”, p.213, The Miegunyah Press

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• Strange is the influence of Marx on character.

  Christina Stead

  Character, Strange, Influence

  Christina Stead, Anita Segerberg (1994). “Christina Stead, Selected Fiction and Nonfiction”, UQP

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• Los Angeles is a Yukon for crime-story writers.

  Christina Stead

  Story Writers, Stories, Yukon

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• We are primitive men; we taboo what we desire and need. How did the denying of love come to be associated with the idea of morality.

  Christina Stead

  Love, Art, Men

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• Behind the concept of woman's strangeness is the idea that a woman may do anything: she is below society, not bound by its law, unpredictable; an attribute given to every member of the league of the unfortunate.

  Christina Stead

  Ideas, Law, League

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• It was easy to see how upsetting it would be if women began to love freely where love came to them. An abyss would open in the principal shopping street of every town.

  Christina Stead

  Shopping, Upset, Towns

  Christina Stead (1945). “For Love Alone”, p.532, The Miegunyah Press

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• I never wanted to marry anyone like my father; I always preferred those more shoddy.

  Christina Stead

  Father, Wanted

  Christina Stead (2012). “Letty Fox: Her Luck”, p.71, Open Road Media

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• She was able to feel active creation going on around her in the rocks and hills, where the mystery of lust took place; and in herself, where all was yet only the night of senses and wild dreams, the work of passion going on.

  Christina Stead

  Love, Dream, Art

  Christina Stead (1945). “For Love Alone”, p.83, The Miegunyah Press

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• Women are outside the law; they make nothing, they say yes or no to some collections of whereases.

  Christina Stead

  Law, Yeah, Collections

  Christina Stead (1945). “For Love Alone”, p.107, The Miegunyah Press

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• I hate Bernard Shaw because he says that life is compromise.

  Christina Stead

  Hate, Compromise, Life Is

  Christina Stead (1945). “For Love Alone”, p.33, The Miegunyah Press

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• There are so may ways to kills yourself, they're just old-fashioned with their permanganate: do you think I'd take permanganate? I wouldn't want to burn my insides out and live to tell the tale as well: idiots! It's simple, I'd drown myself... Why be in misery at the last?

  Christina Stead

  Art, Simple, Thinking

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• Life is nothing but rags and tags and filthy rags at that.

  Christina Stead

  Life, Rags, Tag

  Christina Stead (2016). “The Man Who Loved Children”, p.117, Head of Zeus

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• All middle-class novels are about the trials of three, all upper-class novels about mass fornication, all revolutionary novels about a bad man turned good by a tractor.

  Christina Stead

  Men, Class, Three

  Christina Stead (1936). “The beauties and furies”

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