I think the names of colors are at the edge, between where language fails and where it's at its most powerful.
A surprising number of people - including many students of literature - will tell you they haven't really lived in a book since they were children.
There are many ways of writing badly about painting... There is an 'appreciative' language of threadbare, not inaccurate, but overexposed and irritating words... the language of the schools which 'situates' works and artists in schools and movements... novelists and poets [that] see paintings as allegories of writing.
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