You know, it's a truism that writers for children must still be children themselves, deep down, must still feel childish feelings, and a child's surprise at the world.
She didn't like to be talked about. Equally, she didn't like not to be talked about, when the high-minded chatter rushed on as though she was not there. There was no pleasing her, in fact. She had the grace, even at eleven, to know there was no pleasing her. She thought a lot, analytically, about other people's feelings, and had only just begun to realize that this was not usual, and not reciprocated.
In England, everyone believes if you think, then you don't feel. But all my novels are about joining together thinking and feeling.
I grew up with that completely fictive idea of motherhood, where the mother never strayed from the kitchen. All the women in my books are very afraid that if they do anything with their minds they won't be complete women. I don't think my daughters' generation has that feeling.
I like feeling my way into different minds and experiences. It comes naturally and always has.
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