When realistic images or patterns are seen in an abstract painting, they are often parallels brought about by processes in painting which echo processes in nature.
If we see an object as a bowl, it may inhibit seeing it as craft, just as seeing it as craft might inhibit seeing it as art. See first; name later.
Limitation of means is a precondition of excellence. Creative freedom chooses its limitations. Destructive freedom rejects them heedlessly.
We must turn away from work that replaces experience and pleasure with explanation.
Asking art to express ideas is like asking a Sumo wrestler to play charades.
When making a painting, only one thing counts: what you do next.
Trying to be original is futile. If you have no place to go, stay home and cook.
Many years ago, Clement Greenberg said, 'All profoundly original work looks ugly at first.' This should be updated now to 'All profoundly ugly work looks original at first.
Without the eye, the head is blind. Without the head, the eye is adrift.
There is no best way to make art, but there are a lot of better ways.
When you have made a good painting, don't do another like it, but remember the process, what you did, what you were thinking and feeling.
To an art historian a Giotto is a 14th Century painting. To an artist it was painted yesterday. We free ourselves from the past when we see it freshly.
Good art has everything you need to know about it in the work, not on a wall label. Art is here to take us beyond language.
Don't explain, enjoy.
Convention and restriction release inhibition and provoke the imagination.
Experience is real. Painting, which comes out of experience, is real. The world is an illusion.
When good ideas get put to bad use, it is the fault of the user, not the idea.
Nothing is as hopeless as trying to justify art in words.
Part of history is facts. The other part is what we find easier to believe.
Great art does not break with the past. It breaks with the present by emulating the best of the past.
The more freedom artists have to do what they want to do, the more they do what other artists are doing.
When imitation goes over big, it isn't imitation, it is a trend.
Anything is OK in art if the art turns out OK.
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