To my mind, a picture should be something pleasant, cheerful, and pretty, yes pretty! There are too many unpleasant things in life as it is without creating still more of them.
Photography freed painting from a lot of tiresome chores, starting with family portraits.
I would never have taken up painting if women did not have breasts.
When I've painted a woman's bottom so that I want to touch it, then [the painting] is finished.
There are some things in painting which cannot be explained, and that something is essential.
I've never let one day go by without painting, or at least without drawing.
I've known painters who never did any good work because instead of painting their models they seduced them.
I just keep painting till I feel like pinching. Then I know it's right.
I like a painting which makes me want to stroll in it.
What is to be done about these literary people, who will never understand that painting is a craft and that the material side comes first? The ideas come afterwards, when the picture is finished.
The purpose of painting is to decorate the walls. Therefore it has to be as rich as possible
I have a predilection for painting that lends joyousness to a wall.
Progress in painting, there's no such thing! ...One day I went and changed the yellow on my palette. Well, the result was, I floundered for ten years!
In painting, as in the other arts, there's not a single process, no matter how insignificant, which can be reasonably made into a formula. You come to nature with your theories, and she knocks them all flat.
A fat lot of good it would do if I told you that Titian's courtesans make you want to caress them. Some day you'll see the Titians for yourself, and if they have no effect on you, then you don't understand the first thing about painting. And I wouldn't be able to help you.
You don't talk about paintings, you look at them.
With all their damned talk of modern painting, I've been forty years discovering that the queen of all colours is black!
What seems most significant to me about our movement is that we have freed painting from the importance of the subject. I am at liberty to paint flowers and call them flowers, without their needing to tell a story.
It took me twenty years to discover painting: twenty years looking at nature, and above all, going to the Louvre.
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