I fly like paper, get high like planes If you catch me at the border, I got visas in my name
I feel like I'm living in the dead weeds of hip-hop. I live in the graveyard of what went wrong with hip-hop.
What's wrong with hip-hop [is that] it became so one-dimensional; it became like a businessman thing. It's run out of creativity. It went so far off about making money that now everyone can do it.
I think people were genuinely addicted to hip hop in the 90s, addicted to the idea of empowerment. I think it came from [the fact that] the rappers in the 90s, their parents coming from the 70s, had such a rich variety of records to sample.
Now, [hip-hop/grime artists] Stormzy, Skepta, or the Section Boyz have to be validated by Drake, Rihanna or Beyoncé. They're rolled into this one urban culture bubble; it's not really to do with, "I'm specifically f - ked off about my country and what's going on in my town." We're very much only showing success to artists who impress American artists, and I'm one of them.
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