I don't know what happens when people die Can't seem to grasp it as hard as I try It's like a song I can hear playing right in my ear That I can't sing I can't help listening
That folk music led to learning to play, and making things up led to what turns out to be the most lucrative part of the music business - writing, because you get paid every time that song gets played.
You would think with all the genius and the brilliance of these times, we might find a higher purpose and a better use of mind.
More than a career, I feel that I've got a function. I see things in a much more holistic way. Some people bake the bread, and some people write the songs.
Self-discovery in songwriting, bringing something forth that's instructive to yourself - some of the best songs that you will ever write are the ones where you didn't have to think about any of that stuff, but nonetheless that's what's happening in the song.
The biggest influence? I've had several at different times - but the biggest for me was Bob Dylan, who was a guy that came along when I was twelve or thirteen and just changed all the rules about what it meant to write songs.
So what I do, more than play any instrument - I mean, I love to play - but more than that, I write songs. Songs that are about living, about what it's like to be going through all the things that people go through in life.
I've written many extra verses to songs that I learned to sing - an extra verse about a friend, or just add some verse - and that led to writing my own songs.
I wrote the song For A Dancer for a friend of mine who died in a fire. He was in the sauna in a house that burned down, so he had no idea anything was going on. It was very sad.
I'd have to say that my favorite thing is writing a song that really says how I feel, what I believe - and it even explains the world to myself better than I knew it.
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