To be and to think are one and the same for us.
Style supposes the reunion and the exercise of all the intellectual faculties. The style is the man.
Although the works of the Creator may be in themselves all equally perfect, the animal is, as I see it, the most complete work of nature, and man is her masterpiece.
Let us suppose, that the Old and New worlds were formerly but one continent, and that, by a violent earthquake, the ancient Atalantis [sic] of Plato was sunk ... The sea would necessarily rush in from all quarters, and form what is now called the Atlantic ocean.
In general, the more one augments the number of divisions of the productions of nature, the more one approaches the truth, since in nature only individuals exist, while genera, orders, and classes only exist in our imagination.
There are several kinds of truths, and it is customary to place in the first order mathematical truths, which are, however, only truths of definition. These definitions rest upon simple, but abstract, suppositions, and all truths in this category are only constructed, but abstract, consequences of these definitions ... Physical truths, to the contrary, are in no way arbitrary, and do not depend on us.
The style is the man himself.
I am convinced, by repeated observation, that marbles, lime-stones, chalks, marls, clays, sand, and almost all terrestrial substances, wherever situated, are full of shells and other spoils of the ocean.
It appears that all that can be, is. The Creator's hand does not appear to have been opened in order to give existence to a certain determinate number of species, but it seems that it has thrown out all at once a world of relative and non-relative creatures, an infinity of harmonic and contrary combinations and a perpetuity of destructions and replacements. What idea of power is not given us by this spectacle! What feeling of respect for its Author is not inspired in us by this view of the universe!
The dog has no ambition, no self-interest, no desire for vengeance, no fear other than that of displeasing.
All the work of the crystallographers serves only to demonstrate that there is only variety everywhere where they suppose uniformity ... that in nature there is nothing absolute, nothing perfectly regular.
As historians, we refuse to allow ourselves these vain speculations which turn on possibilities that, in order to be reduced to actuality, suppose an overturning of the Universe, in which our globe, like a speck of abandoned matter, escapes our vision and is no longer an object worthy of our regard. In order to fix our vision, it is necessary to take it such as it is, to observe well all parts of it, and by indications infer from the present to the past.
The sublime can only be found in the great subjects. Poetry, history and philosophy all have the same object, and a very great object-Man and Nature. Philosophy describes and depicts Nature. Poetry paints and embellishes it. It also paints men, it aggrandizes them, it exaggerates them, it creates heroes and gods. History only depicts man, and paints him such as he is.
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