Banana Yoshimoto Quotes - Page 3

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• It was at once a miracle and the most natural thing in the world.

  Banana Yoshimoto

  Miracle, World, Natural

  Banana Yoshimoto, Megan Backus (1979). “Three Plays”, p.41, Grove Press

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• Nothing exists in this world but me and my bed…” (p. 141).

  Banana Yoshimoto

  Bed, World, This World

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• Every time I look into his eyes I just want to take the ice cream or whatever I've got in my hand and rub it into his face. That's how much I like him.

  Banana Yoshimoto

  Eye, Ice Cream, Hands

  Banana Yoshimoto, Michael Emmerich (2002). “Goodbye Tsugumi”, p.110, Grove Press

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• There are many, many difficult times, god knows. If a person wants to stand on her own two feet, I recommend undertaking the care and feeding of something. It could be children, or it could be house plants, you know? By doing that you come to understand your own limitations. That's where it starts.

  Banana Yoshimoto

  Children, Feet, Two

  Banana Yoshimoto, Megan Backus (1979). “Three Plays”, p.41, Grove Press

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• She was still there inside me now, just as she always was: a life put on hold, a memory I didn't know how to handle.

  Banana Yoshimoto

  Memories, Handle, Stills

  Banana Yoshimoto, Michael Emmerich (2006). “Hardboiled: & Hard Luck”, p.8, Grove Press

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• The way we think may be completely different, but you and I are an ancient, archetypal couple, the original man and woman. We are the model for Adam and Eve. For all couples in love, there comes a moment when a man gazes at a woman with the very same kind of realization. It is an infinite helix, the dance of two souls resonating, like the twist of DNA, like the vast universe.

  Banana Yoshimoto

  Couple, Men, Thinking

  Banana Yoshimoto, Ann Sherif (1996). “Lizard”, p.66, Simon and Schuster

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• Inching one's way along a steep cliff in the dark: on reaching the highway, one breathes a sigh of relief. Just when one can't take any more, one sees the moonlight. Beauty that seems to infuse itself into the heart: I know about that

  Banana Yoshimoto

  Heart, Dark, Sigh Of Relief

  Banana Yoshimoto, Megan Backus (1979). “Three Plays”, p.60, Grove Press

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• I never tell my boyfriend that I'm busy when I'm not. No matter how effective they are, cheap techniques like that just don't agree with me. So it's always okay, it's always all right. In my opinion the surest way to hook a man is to be as open with him as possible.

  Banana Yoshimoto

  Men, My Boyfriend, Technique

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• I saw the sky and sea and sand and the flickering flames of the bonfire through my tears. All at once, it rushed into my head with tremendous speed, and made me feel dizzy. It was beautiful. Everything that happened was shockingly beautiful, enough to make you crazy.

  Banana Yoshimoto

  Beautiful, Crazy, Flames

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• I held the feeling in my heart; the urge to discuss it died out. There was all the time in the world. In the endless repetition of other nights, other mornings, this moment, too, might become a dream.

  Banana Yoshimoto

  Dream, Morning, Heart

  Banana Yoshimoto, Megan Backus (1979). “Three Plays”, p.41, Grove Press

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• Chilled-looking people walking along the riverside, the snow beginning, faintly, to pile up on the roofs of cars, the bare trees shaking their heads left and right, dry leaves tossing in the wind. The silver of the metal window sash sparkling coldly. Soon after, I heard sensei call, "Mikage! Are you awake? It's snowing, look! It's snowing!" "I'm coming!" I called out, standing up. I got dressed to begin another day. Over and over, we begin again.

  Banana Yoshimoto

  Wind, People, Snow

  Banana Yoshimoto (1993). “Kitchen”

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• Ultimately, though, it's living people that frighten me the most. It's always seemed to me that nothing could be scarier than a person, because as dreadful places can be, they're still just places; and no matter how awful ghosts might seem, they're just dead people. I always thought that the most terrifying things anyone could ever think up were the things living people came up with.

  Banana Yoshimoto

  Thinking, People, Might

  Banana Yoshimoto, Michael Emmerich (2006). “Hardboiled: & Hard Luck”, p.10, Grove Press

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• Living like that utterly convinced me of the extreme limitations of language. I was just a chlld then,so I have only an intuitive understanding of the degree to which one losses control of words once they are spoken or written. It was then that I first felt a deep curiosity about language, and understood it as a tool that encompasses both a single moment and eternity

  Banana Yoshimoto

  Single Mom, Loss, Understanding

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• I wonder what it felt to move to a country where you didn't grow up. I had thought about that often since my sister got married. Do you become a character in a story native to that land, or do you, somewhere in your heart, want to return to your homeland.

  Banana Yoshimoto

  Country, Growing Up, Moving

  Banana Yoshimoto (1995). “N.P.: A Novel”, p.87, Simon and Schuster

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• When someone tells you something big, it's like you're taking money from them, and there's no way it will ever go back to being the way it was. You have to take responsibility for listening.

  Banana Yoshimoto

  Responsibility, Listening, Way

  Banana Yoshimoto (2011). “The Lake”, p.41, Melville House

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• I was happy. I loved the night, I loved t so much it almost hurt. In the night everything seemed possible. I wasn't sleepy at all.

  Banana Yoshimoto

  Hurt, Night, Sleepy

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• In the uncertain ebb and flow of time and emotions much of one's life history is etched in the senses.

  Banana Yoshimoto

  Ebb And Flow, Emotion, Uncertain

  Banana Yoshimoto, Megan Backus (1979). “Three Plays”, p.75, Grove Press

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• There are many days when all the awful things that happen make you sick at heart, when the path before you is so steep you can’t bear to look. Not even love can rescue a person from that. Still, enveloped in the twilight coming from the west, there she was, watering the plants with her slender, graceful hands, in the midst of a light so sweet it seemed to form a rainbow in the transparent water she poured.

  Banana Yoshimoto

  Sweet, Twilight, Heart

  Banana Yoshimoto, Megan Backus (1979). “Three Plays”, p.42, Grove Press

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• I realized that the world did not exist for my benefit. It followed that the ratio of pleasant and unpleasant things around me would not change. It wasn't up to me. It was clear that the best thing to do was to adopt a sort of muddled cheerfulness.

  Banana Yoshimoto

  Benefits, World, Ratios

  Banana Yoshimoto, Megan Backus (1979). “Three Plays”, p.81, Grove Press

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• Everything in life has some good in it. And when something awful happens, the goodness stands out even more--it's sad, but that's the truth.

  Banana Yoshimoto

  Awful, Standing Out, Goodness

  Banana Yoshimoto (2011). “The Lake”, p.16, Melville House

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• No matter what, I want to continue living with the awareness that I will die. Without that, I am not alive.

  Banana Yoshimoto

  Alive, Want, Matter

  Banana Yoshimoto, Megan Backus (1979). “Three Plays”, p.59, Grove Press

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• Even when I try to stir myself up, I just get irritated because I can't make anything come out. And in the middle of the night I lie here thinking about all this. If I don't get back on track somehow, I'm dead, that's the sense I get. There isn't a single strong emotion inside me.

  Banana Yoshimoto

  Depression, Strong, Lying

  Banana Yoshimoto, Michael Emmerich (2002). “Goodbye Tsugumi”, p.163, Grove Press

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• To the extent that I had come to understand that despair does not necessarily result in annihilation, that one can go on as usual in spite of it, I had become hardened. Was this what it means to be an adult, to live with ugly ambiguities? I didn't like it, but it made it easier to go on.

  Banana Yoshimoto

  Mean, Despair, Adults

  Banana Yoshimoto, Megan Backus (1979). “Three Plays”, p.56, Grove Press

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• Everyone lives the way she knows best. What I mean by 'their happiness' is living a life untouched as much as possible by the knowledge that we are really, all of us, alone. That's not a bad thing.

  Banana Yoshimoto

  Mean, Way, Knows

  Banana Yoshimoto, Megan Backus (1979). “Three Plays”, p.59, Grove Press

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• Why were we so far apart, even when we were together? It was a nice loneliness, like the sensation of washing your face in cold water.

  Banana Yoshimoto

  Nice, Loneliness, Water

  Banana Yoshimoto (2011). “The Lake”, p.187, Melville House

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