But, how do you know if an ending is truly good for the characters unless you've traveled with them through every page?
Personally, I believe “Young Adult” to be an arbitrary title that means the book "Can be enjoyed by anyone/Has a main character who’s not quite an adult/Isn’t really boring.
But in a country where you hang your dead up on walls and pride whether or not a man bears a javelin more than his character, how am I to persuade you out of a war? It would be suicide for Kildenree to war on Bayern and butchery for Bayern to attack Kildenree. If you don't believe me, then send me back. Or if you don't trust me to leave, I'll return to my little room on the west wall and tend your geese, and you can be sure that on my watch no thieves will touch my flock.
Seriously, a thirty-something woman shouldn't be daydreaming about a fictional character in a two-hundred-year-old world to the point where it interfered with her very real and much more important life and relationships. Of course she shouldn't.
In some ways, I don’t feel as if I had a choice. Looking back at my childhood, even before I could read and write, I was making up stories. I love reading and I love telling stories, and the times in my life when I’ve tried to ignore that part of me, I’ve gone a little crazy. Characters start tugging on my sleeves, words start haunting me, and I feel generally unsatisfied. Really, being a writer sounds more like a mental illness than a professional choice.
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