The critic has to educate the public; the artist has to educate the critic.
When critics disagree the artist is in accord with himself.
On an occasion of this kind it becomes more than a moral duty to speak one's mind. It becomes a pleasure.
The imagination imitates. It is the critical spirit that creates.
That is what the highest criticism really is, the record of one's own soul. It is more fascinating than history, as it is concerned simply with oneself. It is more delightful than philosophy, as its subject is concrete and not abstract, real and not vague. It is the only civilized form of autobiography.
Temperament is the primary requisite for the critic - a temperament exquisitely susceptible to beauty, and to the various impressions that beauty gives us.
The true critic is he who bears within himself the dreams and ideas and feelings of myriad generations, and to whom no form of thought is alien, no emotional impulse obscure.
In one dancing saloon I saw the only rational method of art criticism I have ever come across. Over the piano was printed a notice: 'Please do not shoot the pianist. He is doing his best.'
All criticism is a form of autobiography
Artists reproduce themselves or each other, with wearisome iteration. But criticism is always moving on, and the critic is always developing.
No publisher should ever express an opinion on the value of what he publishes. That is a matter entirely for the literary critic to decide. I can quite understand how any ordinary critic would be strongly prejudiced against a work that was accompanied by a premature and unnecessary panegyric from the publisher. A publisher is simply a useful middle-man. It is not for him to anticipate the verdict of criticism.
Imagination is imitative-the real innovation lies in criticism.
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