If you want a happy ending, that depends, of course, on where you stop your story.
My kind of director is an actor-director who writes.
. . . you [film critics] always overstress the value of images. You judge films in the first place by their visual impact instead of looking for content. This is a great disservice to the cinema. It is like judging a novel only by the quality of its prose. I was guilty of the same sin when I first started writing for the cinema. . . . Now I feel that only the literary mind can help the movies out of that cul de sac into which they have been driven by mere technicians and artificers.
If I want to pursue the art of painting - or music or writing or sculpture - it requires only my time and a few dollars for materials. If, however, I want to produce a motion picture I have to go out and raise a million dollars!
I'm a provincial. I live very much like a hermit: reading, listening to music, working in the cutting room, writing, commercial work - which doesn't take up that much time.
You could write all the IDEAS of all the movies, my own included, on the head of a pin.
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