No matter what they tell you, no matter what they do, no matter what they teach you, what you believe is true.
Nobody seems to think it's a good idea to mention mistakes, but I think it's important to acknowledge the mistakes you've made in life, because it's really through those that you learn things. I've made hundreds.
What strikes me is that theres a very fine line between success and failure. Just one ingredient can make the difference.
Look with your heart and not with your eyes. The heart understands. The heart never lies. Believe what it feels, and trust what it shows. Look with your heart; the heart always knows. Love is not always beautiful, not at the start. But open your arms, and close your eyes tight. Look with your heart and when it finds love, your heart will be right.
Softly, deftly, music shall caress you. Hear it, feel it, Secretly possess you.
You're the luckiest person in the entire world if you know what you really want to do, which I was lucky enough to know when I was very young. And you're the luckiest person in the world if you can then make a living out of it.
I often think of random melodies. And I pretty much hear in my head what I want to do with the orchestra as I'm writing on the piano.
Love can make a summer fly, or a night seem like a lifetime.
People in Britain always think of 'Jesus Christ Superstar' as a musical - it wasn't.
Love changes everything. Days are longer, words mean more. Love changes everything. Pain is deeper than before. Love can turn your world around, and that world will last forever.
As a composer at a point where I can absolutely pick and choose what I want to do, I don't want to write about anybody I don't care about.
Surely, you go to the theater because you want to have a great evening in the theater.
Slowly, gently, night unfurls its splendor.Grasp it; sense it - tremulous and tender.Turn your face away from the garish light of day, turn your thoughts away from cold, unfeeling light - and listen to the music of the night !
I've got to find something and if I find something that I like, I'll do it. If I don't, I won't.
When people ask me if musical theatre should be taught in music colleges, I reply that there is no need. All anyone needs to study is the second act of La Boheme because it is the most tightly constructed piece of musical theatre that there is. It is practically director-proof: you can't stage it badly because it just works too well. If you can write La Boheme, you can write anything. I would also recommend studying Britten's Peter Grimes.
No more memories, no more silent tears. No more gazing across the wasted years. Help me say goodbye.
It doesn't stand up to huge intellectual scrutiny.
If you know what you want to do, as I always loved musicals, and then to have been lucky enough to be successful with them, I think that's all you can ask isn't it? I think I don't really think too much about it. I am a bit shy socially, yeah, I admit that.
I think the thing's that perhaps sad really is that younger people haven't come in and I think it must have been absolutely fantastic to have worked in the 50's when you had all of the great Broadway composers and when West Side Story didn't win the Tony Award.
And it sort of jogged a memory of something that I read at school and I read it, and I thought God this is it. So you never can tell. I could find something this afternoon.
I think it's probably, musically, probably the most sophisticated. ("The Woman in White") There's a lot more daring harmony in it than in some of my pieces... If you know what you want to do, as I always loved musicals, and then to have been lucky enough to be successful with them, I think that's all you can ask, isn't it?... Sondheim is absolutely wonderful and Alan Jay Lerner was wonderful.
Music, architecture and pictures have always been my passions, and all that material wealth has meant for me, is being able to have some of the pictures I liked.
Think of me, think of me fondly When we've said goodbye. Remember me once in a while Please promise me, you'll try. Recall those days, look back on all those times, Think of those things we'll never do. There will never be a day When I won't think of you. Can it be? Can it be Christine? Long ago, it seems so long ago, How young and innocent we were. She may not remember me But I remember her.
I would have gone right ahead but the only thing, the only phenomenon that's going on now of course, which is different in my experiences, is that you are getting things planted in the Net by people about the Woman in White on the Net. That's not a nice change.
I guess we've had a very close relationship because I don't pretend to know about cinema and I think I do know a bit about theatre but he does, he respected that and so we really just had a collaboration which went completely like this.
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