When you look in one direction where Troy's chair was, you could see out through the yard across the street, there was an old cork bar advertisement for five cents. We wanted it to feel like this was real life [in Fences] and that it extended blocks and blocks.
Meryl and Katharine Hepburn are probably the two greatest actresses of this and the last century.
Growing up I didn't watch movies.
You don't know when you're being watched. That's one of the weird things about celebrity. It's my least favorite part of acting, celebrity.
When I did A Soldier's Story, I was very young and green and thought I knew everything-now I know I know everything!
I've been fortunate. I don't pick scripts. Scripts pick me.
Dakota Fanning is a child, but she is a wonderful actor. I don't know what a child actor is. She's an actor who's a child.
When I was a child I thought I saw an angel. It had wings and kinda looked like my sister. I opened the door so some light could come into the room, and it sort of faded away. My mother said it was probably my Guardian Angel.
I and haven't been unemployed for 20 years. I'm an exception to the rule.
What's a celebrity anyway? Paris Hilton's a celebrity. I'm just a working actor.
I'm from around Tennessee. I ran away when I was 12 years old and I ain't never looked back.
I am not going to bury my son! My son is going to bury me!
Don't get all sentimental on me, Makes me think I'm gonna die.
Denzel Washington: I like the collaboration, I like seeing people do well, so I really plan to direct the rest of my days.
[Russel Crowe] has been through a lot and had a lot of success. No one knew who he was when I worked with him 12 years ago. He's just come off a great film in Australia- Romper Stomper - and so it was good to see him again. Obviously, I'd seen him since.
Michelle Pfeiffer hasn't been finding a lot of work recently because she doesn't like what a woman her age is offered. That's a real double standard. You get Sean Connery, who gets older and older, still playing opposite young ladies, but it doesn't work the other way around.
I've worked with children all my life.
I think we're fascinated by gangsters and that whole lifestyle and crossing the line. We get sort of stuck in our normal lives, if you will, and you want to be bigger than life and I think people somehow live through these sorts of characters.
[Fences] is just a great play to bring to the screen.
There's racism everywhere.
By the way, sitting with other mommies is probably the most frightening experience in the entire world. They're serious into mommy-shaming.
[Black people] come into the world exactly like you. It's just that there are circumstances in the culture that are dictated and put on our lives that we have to fight against.
I'll be working with Ridley's [Scott] brother, Tony, again, someone who needless to say we've had a great amount of success together. I trust him - so I won't have to think about it or I'll try not to.
After directing the first film it feels kind of tricky being back to being in front of the camera, because I've always got one eye over there, kind of thinking of what they are doing, and how the shot is being composed. I think it takes a couple of films to just get back to just being an actor.
In fact, someone was telling me that Gladiator was the one film where Ridley Scott didn't take a producer's credit. And it won. But this guy changed the industry twice; with Aliens which was a whole new way of looking at things and Blade Runner that was also a whole new way of looking at things.
"It's important for us to tell our stories."
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