Francesca Lia Block Quotes About Eyes

Quotes about: Eyes

• You always fed strays and bent down to talk to the dogs you met on the street, looking straight into their eyes as if they were old friends. (Maybe they are, you said. From another life.) You liked to go to the pound and look at them. You tried to send them messages of comfort. I couldn’t go because I started crying the one time I tried. All those eyes and the barks like sobs.

  Francesca Lia Block

  Dog, Eye, Old Friends

  Francesca Lia Block (2009). “Wasteland”, p.12, Harper Collins

• Maybe i would become a mermaid... i would live in the swirling blue-green currents, doing exotic underwater dances for the fish, kissed by sea anemones, caressed by seaweed shawls. I would have a doliphin friend. He would have merry eyes and thick flesh of a god. My fingernails would be tiny shells and my skin would be like jade with light shining through it I would never have to come back up

  Francesca Lia Block

  Eye, Light, Blue

• I want him to see the flowers in my eyes and hear the songs in my hands.

  Francesca Lia Block

  Song, Flower, Unrequited Love

• I will be thin and pure like a glass cup. Empty. Pure as light. Music. I move my hands over my body - my shoulders, my collarbone, my rib cage, my hip bones like part of an animal skull, my small thighs. In the mirror my face is pale and my eyes look bruised. My hair is pale and thin and the light comes through. I could be a lot younger than seventeen. I could be a child still, untouched.

  Francesca Lia Block

  Children, Moving, Eye

  Francesca Lia Block (2009). “The Hanged Man”, p.14, Harper Collins

• She had changed him. The ice was in his eyes and in his heart, like he had predicted with that song, but now they were deep embedded there, all the pain of the world. Not pain to make you feel for somebody else but pain to make you stop feeling.

  Francesca Lia Block

  Song, Pain, Heart

• You turned your head to look at me. Your eyes looked so big in your face, so mysterious — wide and flickering like a butterfly-wing mask. When you saw me the wails turned to sobs, and then just quieter heaves of your body. I held out my finger through the bars. Then you reached out and curled your fingers around mine, so tight. I knew you recognized me. That was the first time I knew I had a heart inside my body.

  Francesca Lia Block

  Heart, Butterfly, Eye

• Dear Angel Juan, You used to guard my sleep like a panther biting back my pain with the edge of your teeth. You carried me into the dark dream jungle, loping past the hungry vines, crossing the shiny fish-scale river. We left my tears behind in a chiming silver pool. We left my sorrow in the muddy hollows. When I woke up you were next to me, damp and matted, your eyes hazy, trying to remember the way I clung to you, how far down we went. Was the journey too far, Angel Juan? Did we go too far?

  Francesca Lia Block

  Dream, Pain, Sleep

  Francesca Lia Block (2008). “Beautiful Boys: Missing Angel Juan and Baby Be-Bop”, p.17, Zondervan

• Maybe one night I’ll be asleep and I’ll feel a hand like a dove on my cheekbone and feel her breath cool like peppermints and when I open my eyes my mom will be there like an angle, saying in the softest voice, When you are born it is like a long, long dream. Don’t try to wake up. Just go along until it is over. Don’t be afraid. You may not know it all the time but I am with you. I am with you.

  Francesca Lia Block

  Mom, Dream, Eye

• Witch Baby wanted to ask Ping how to find her Jah-Love angel. She knew Raphael was not him, even though Raphael had the right eyes and smile and name. She knew how he looked--the angel in her dream--but she didn't know how to find him. Should she roller-skate through the streets in the evenings when the streetlights flicker on? Should she stow away to Jamaica on a cruise ship and search for him in the rain forests and along the beaches? Would he come to her? Was he waiting, dreaming of her in the same way she waited and dreamed?

  Francesca Lia Block

  Dream, Baby, Beach

• But death is stronger than that and when you cover your eyes you are the one who can't see the dark. The dark still sees you.

  Francesca Lia Block

  Eye, Dark, Stronger

  Francesca Lia Block (2012). “The Elementals”, p.8, St. Martin's Press

• Under the ground seep the toxins of the population that lives above. If you have to, you will eat roots and earthworms. It is always night. Candles burn in lanterns made from tin cans. When it is nighttime up above, you can crawl out, but only for a little while. You feel ashamed of your matted hair, your torn clothes, the dirt on your face. Who would want to speak to you? They are all shiny and pretty. They have parents and house with gardens. What do you have? The earth. Whole handfuls of it. The lizard people with their slit eyes and scaly skin. Your loneliness. Your longing.

  Francesca Lia Block

  Loneliness, Eye, Night

• The circus tent was flowing pale in the rain like a fleshy flower lit from within. It seemed to bloom in the downpour. Drops of rain caught on Rafe's eyelashes, blinding him as the circus light struck them. He groped for the flap, that slit in the fabric that would reveal her to him. She was on the rope again, her skirt flashing with tiny mirrors, hair braided with petals. He looked up at her, dizzy with it, seeing her face framed in the parasol. There were bluish shadows around her eyes.

  Francesca Lia Block

  Rain, Flower, Eye

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