Writing songs is like capturing birds without killing them. Sometimes you end up with nothing but a mouthful of feathers.
I always thought songs are movies for the ears and films are like songs for the eyes.
Most of us have the residue of thousands of songs in our ears, that if you end up songwriting, I think you're mostly smoking the residue of all that material you absorbed over time.
Children make up the best songs, anyway. Better than grown-ups. Kids are always working on songs and throwing them away, like little origami things or paper airplanes. They don't care if they lose it; they'll just make another one.
If you can make a little painting for the ears with a few words, well, I like words; I like cutting them up and finding different ways of saying the same thing... I get into a spell, and it all comes easy. I don't labor over it. I go inside the song, I think you make yourself an antenna for songs, and songs want to be around you. And then they bring other songs along, and then they're all sitting around, and they're drinkin' your beer, and they're sleeping on the floor. And they are using the phone, they're rude, thankless little f---ers.
Songs are really just very interesting things to be doing with the air.
Sometimes the magnetism of a song is impossible to ignore, and it demands that it be sung in a certain way.
I think all songs should have weather in them. Names of towns and streets, and they should have a couple of sailors. I think those are just song prerequisites.
Well you wave your hand and they scatter like crows They have nothing that will ever capture your heart They're just thorns without the rose Be careful of them in the dark Oh, if I was the one you chose to be your only one Oh baby can't you hear me now, can't you hear me now Will I see you tonight on a downtown train Every night it's just the same, you leave me lonely now
Your old home town's so far away, but inside your head there's a record that's playing, a song called 'Hold On
Songs really are like a form of time travel because they really have moved forward in a bubble. Everyone who's connected with it, the studio's gone, the musicians are gone, and the only thing that's left is this recording which was only about a three-minute period maybe 70 years ago.
Most songs that aren't jump-rope songs, or lullabies, are cautionary tales or goodbye songs and road songs.
I don't know if any genuine meaningful change could ever result from a song. It's kind of like throwing peanuts at a gorilla.
Most songs have meager beginnings. You wake up in the morning, you throw on your suspenders, and you subvocalize and just think. They seem to form like calcium. I can't think of a story right off the bat that was that interesting. I write things on the back of my hand, usually, and sing into a tape recorder.
I used to imagine that making it in music - really making it in music - is if you're an old man going by a schoolyard and you hear children singing your songs, playing jump-rope, or on the swings. That's the ultimate. You're in the culture.
I don't like hearing Beatles songs in commercials. It almost renders them useless. I think, 'Oh God, another one bites the dust.'
Sometimes when you're making songs you just make sounds, and the sounds slowly mutate and evolve into actual words that have meaning.
There's only one reason why you write new songs: You get sick of the old songs. It's not that I didn't do anything during the time when I wrote no songs. I was creative, but in another way. I had ideas for songs and collected the ideas.
People make songs so that somebody else will hear them and want to do them. I guess it's an indication that the songs aren't so ultra-personal that they can't possibly be interpreted by anyone else.
Songs are pretty easy. They are small, they are modular, they are about as big as a bagel. They are easy to build. Films are overwhelming in their magnitude and scope. By comparison, a lot of film directors wish they were writing songs because you can do it while getting your hair cut.
It's rather mystifying when you think about writing songs - where they come from, and how they're born.
Every single song has its own individual character and you can't treat each song the same way, because it wants to be treated differently and there are songs that are like scared birds that you have to sneak up on over the course of months in the woods.
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