Want of money and the distress of a thief can never be alleged as the cause of his thieving, for many honest people endure greater hardships with fortitude. We must therefore seek the cause elsewhere than in want of money, for that is the miser's passion, not the thief s.
The lust of the goat is the bounty of God.
Mere enthusiasm is the all in all.
How do you know but ev’ry Bird that cuts the airy way, Is an immense world of delight, clos’d by your senses five?
I cry, Love! Love! Love! happy happy Love! free as the mountain wind!
The stars are threshed, and the souls are threshed from their husks.
For everything exists and not one sigh nor smile nor tear, one hair nor particle of dust, not one can pass away.
The reason Milton wrote in fetters when he wrote of Angels and God, and at liberty when of Devils and Hell, is because he was a true poet and of the Devil's party without knowing it.
When a Man has Married a WifeHe finds out whetherHer Knees & elbows are onlyglued together.
[L]et light Rise from the chambers of the east, and bring The honey'd dew that cometh on waking day. O radiant morning.
A skylark wounded in the wing, / A cherubim does cease to sing.
O Winter! bar thine adamantine doors: The north is thine; there hast thou build thy dark, Deep-founded habitation. Shake not thy roofs, Nor bend thy pillars with thine iron car.
The little ones leaped, and shouted, and laugh'd And all the hills echoed
And priests in black gowns were walking their rounds and binding with briars my joys and desires. (from 'The Garden of Love')
Thou fair-hair'd angel of the evening, Now, whilst the sun rests on the mountains, light Thy bright torch of love; thy radiant crown Put on, and smile upon our evening bed!
The fields from Islington to Marybone, To Primrose Hill and Saint John's Wood, Were builded over with pillars of gold; And there Jerusalem's pillars stood.
I have no name: I am but two days old. What shall I call thee? I happy am, Joy is my name. Sweet joy befall thee!
Works of Art can only be produc'd in Perfection where the Man is either in Affluence or is Above the Care of it.
In every cry of every man, In every infant's cry of fear, In every voice, in every ban, The mind-forg'd manacles I hear.
Can I see another's woe, And not be in sorrow too? Can I see another's grief, And not seek for kind relief? Can I see a falling tear, And not feel my sorrow's share? Can a father see his child Weep, nor be with sorrow filled? Can a mother sit and hear An infant groan, an infant fear? No, no! never can it be! Never, never can it be!
Imitation is criticism.
Little Lamb, who made thee? Dost thou know who made thee?
Think not thou canst sigh a sigh And thy maker is not by; Think not thou canst weep a tear And thy maker is not near.
My silks and fine array, My smiles and languished air, By love are driv'n away And mournful lean Despair Brings me yew to deck my grave: Such end true lovers have.
Like a fiend in a cloud, With howling woe, After night I do crowd, And with night will go; I turn my back to the east, From whence comforts have increased; For light doth seize my brain With frantic pain.
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