I just think it's really funny and entertaining. I mean, I don't necessarily take them really seriously - I don't even think a lot of really good films get seen. But I don't think that's what it's about. I mean, how amazing was Ellen Burstyn in Requiem For A Dream ? Especially as she was acting with herself most of the time. I don't understand how a performance like that can't win. I was so affected by that movie that I had to turn it off. I felt as if I was on drugs and my heart was about to leap out of my body.
I don't think a lot of really good films get seen.
I got my first part in Silent Fall, 1994 - I guess I was 15 or 16 - which was really outrageous because I still knew nothing. I don't think I really learned how to land on my marks until after Empire Records in 1995, 'cause sometimes I'll see a shot in that film, and I'm like "Whoa, I just walked over to the corner."
Working with Bernardo Bertolucci, director of Stealing Beauty was my first experience of being able to communicate with someone whom I'd think of as a mentor, who'd ask me my opinion and trust me, and believe in me and allow me to do the things that I wanted to do. The film itself was also rare in terms of character most of the scripts I've read are the story of some man, and there might be a love interest or a big woman's part.
I laughed at the whole Cannes Film Festival thing because it didn't feel real. I remember getting off the red-eye when I arrived in France. I had a cowboy had on and some zit medicine, and there were like 15 photographers who jumped over the luggage carousel to take pictures of me.
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