I'm doing an introduction for one of Ralph's [Steadman] books. He's doing something called Gonzo, the Art I think he's stealing from me. I like Steadman and his coattail abilities. Ralph is better at business than I am. He has always managed to get free whiskey.
I have stolen more quotes and thoughts and purely elegant little starbursts of writing from the Book of Revelation than anything else in the English language - and it is not because I am a biblical scholar, or because of any religious faith, but because I love the wild power of the language and the purity of the madness that governs it and makes it music.
["Fear & Loathing in Las Vegas"] is a very hard book to translate to film because there's so much interior monologue. The what if factor. I tried to write it cinematically and let the dialogue carry it but I forgot about the interior monologue. It's kind of hard to show what's going on in the head. I think we should do it like a documentary.
I was kind of relieved with the way the book [The Proud Highway] came out. It's beyond an autobiography or a biography. I never knew what was going to come up next.
I got tired and embarrassed by the constant poverty of those years. I told Doug [ Brinkley] this is really going to be a horrible downer of a book [The Proud Highway] if all it's going to be is about being broke. I didn't like being reminded of desperation at all times.
[Polo Is My Life] is what's called a sex book - you know, sex, drugs and rock and roll. It's about the manager of a sex theater who's forced to leave and flee to the mountains. He falls in love and gets in even more trouble than he was in the sex theater in San Francisco. Most of my stories are tales of anguish, stress and grief.
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