You don't get into the mood to create – it's discipline.
I read for growth, firmly believing that what you are today and what you will be in five years depends on two things: the people you meet and the books you read.
Solitude is an unavoidable part of creativity. Self-reliance is a happy by-product.
More often than not I've found, a rut is a consequence of sticking to tried and tested methods that don't take into account how you or the world has changed.
Reading, conversation, environment, culture, heroes, mentors, nature – all are lottery tickets for creativity. Scratch away at them and you’ll find out how big a prize you’ve won.
I'm often asked, 'Where do you get your ideas?' ...It's like asking, 'Where do you find air to breathe?' Ideas are all around you.
When it all comes together, a creative life has the nourishing power we normally associate with food, love and faith.
When you're in a rut, you have to question everything except your ability to get out of it.
To make real change, you have to be well anchored - not only in the belief that it can be done, but also in some pretty real ways about who you are and what you can do.
Creativity is not just for artists. It's for businesspeople looking for a new way to close a sale; it's for engineers trying to solve a problem; it's for parents who want their children to see the world in more than one way.
Everything is raw material. Everything is relevant. Everything is usable. Everything feeds into my creativity. But without proper preparation, I cannot see it, retain it, and use it.
I had received my first establishment grants in response to applications filed the year before. To the pages of baffling forms I had simply attached a handwritten note saying, 'I make dances, not applications. Send the money. Love, Twyla.
Failing, and learning from it, is necessary. Unil you've done it, you're missing an important piece of your creative arsenal.
Optimism with some experience behind it is much more energizing than plain old experience with a certain degree of cynicism.
The thing about creativity is, people are going to laugh at it. Get over it.
Generosity is luck going in the opposite direction, away from you. If you're generous to someone, if you do something to help him out, you are in effect making him lucky. This is important. It's like inviting yourself into a community of good fortune.
The first steps of a creative act are like groping in the dark: random and chaotic, feverish and fearful, a lot of busy-ness with no apparent or definable end in sight.
I cannot overstate how much a generous spirit contributes to good luck. Look at the luckiest people around you, the ones you envy, the ones who seem to have destiny falling habitually into their laps. If they're anything like the fortunate people I know, they're prepared, they're always working at their craft, they're alert, they involve their friends in their work, and they tend to make others feel lucky to be around them.
Living had little use for me other than how it could be funneled into dance.
Concentrate: you can't have it all.
When you're in a groove, you're not spinning your wheels; you're moving forward in a straight and narrow path without pauses or hitches. You're unwavering, undeviating, and unparalleled in your purpose. A groove is the best place in the world. Because when you are in it, you have the freedom to explore, where everything you question leads you to new avenues and new routes.
When I'm in the studio, when I'm warm, when I'm what people call improvising, I feel a very special connection. I feel the most right. I don't want to become too mystic about this, but things feel as though they're in the best order at that particular moment.
I do everything I know how in a dance.
By making the start of the sequence automatic, they replace doubt and fear with comfort and routine.
You may wonder which came first: the skill or the hard work. But that's a moot point. The Zen master cleans his own studio. So should you.
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