I'm a pain in the ass to all of the costume designers with whom I work because I have very strong feelings about the subject.
Singing and acting are very similar. Singing makes you reach into your deepest feelings. Singing is an extension of everything that you do when you're acting.
When they called my name, I had this feeling I could hear half of America going, 'Oh no. Come on... Her, again?' You know. But, whatever.
I've thought a lot about the power of empathy. In my work, it's the current that connects me and my actual pulse to a fictional character in a made up story, it allows me to feel, pretend feelings and sorrows and imagined pain.
My feeling about fears is, if you voice your fears, they may come true. I'm superstitious enough to believe that.
Acting has to reach everybody on some level - it's a communication of feeling - but as far as judging the work is concerned, it is, I think, something that actors know about.
But for me, it [singing] was a way to get out the feeling of the song, and also to get out the feelings that, you know, roil in high school, to express something that I had no other way of expressing.
What led me to that was I have never - I mean, I watch movies and I don't care who is the protagonist. I feel what that guy is feeling. You know, if it's Tom Cruise leaping over a building - I want to make it, you know? And I'm going to - yes, I made it. And yeah, so I get that.
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