I guess there are never enough books.
Abandon the idea that you are ever going to finish.
The profession of book writing makes horse racing seem like a solid, stable business.
Maybe the hardest thing in writing is simply to tell the truth about things as we see them.
Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.
Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on.
I have written a great many stories and I still don't know how to go about it except to write it and take my chances.
To finish is sadness to a writer — a little death. He puts the last word down and it is done. But it isn't really done. The story goes on and leaves the writer behind, for no story is ever done.
The writer must believe that what he is doing is the most important thing in the world. And he must hold to this illusion even when he knows it is not true.
Boileau said that Kings, Gods and Heroes only were fit subjects for literature. The writer can only write about what he admires. Present-day kings aren't very inspiring, the gods are on a vacation and about the only heroes left are the scientists and the poor.
If a scene or a section gets the better of you and you still think you want it-bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn't belong there.
The discipline of the written word punishes both stupidity and dishonesty.
Write freely and as rapidly as possible and throw the whole thing on paper.
The craft or art of writing is the clumsy attempt to find symbols for the wordlessness.
Always dream and shoot higher than you know you can do...Try to be better than yourself.
A good writer always works at the impossible.There is another kind who pulls in his horizons, drops his mind as one lowers rifle sights.
I suffer as always from the fear of putting down the first line. It is amazing the terrors, the magics, the prayers, the straitening shyness that assail one. It is as though the words were not only indelible but that they spread out like dye in water and color everything around them. A strange and mystic business, writing.
Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page a day, it helps. Then when it gets finished, you are always surprised.
If there is a magic in story writing, and I am convinced that there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes but by no means always find the way to do it.
When I face the desolate impossibility of writing five hundred pages, a sick sense of failure falls on me, and I know I can never do it. Then gradually, I write one page and then another. One day's work is all I can permit myself to contemplate.
Writing to me is a deeply personal, even a secret function and when the product I turned loose it is cut off from me and I have no sense of its being mine. Consequently criticism doesn't mean anything to me. As a disciplinary matter, it is too late.
Poetry is the mathematics of writing and closely kin to music.
I am writing this from what we Americans call Yurrp. In Yurrp writers are taken as seriously as Lana Turner's legs are in America - a ridiculous situation.
I start out to write five days a week, and then it runs to six days and finally seven. Then, eventually, that wave of weariness overwhelms me and I don't know what's the matter. That is, I know but I won't admit it. I'm just tired from writing. As you get older, writing becomes harder. By that I mean you see so many more potentialities. Things like transition used to trouble me. But not any more. When I say it's harder, I'm not talking about facility. You learn all the so-called tricks, but then you don't want to use them.
I have taken as much as six years to prepare a book for writing. There is such a delirium of effort in the production of a book; it's like childbirth. And, like childbirth, one forgets the pains immediately so that when you come to write another one you dare to take it up again. Some precious anesthesia sees you through.
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