Only mediocrity escapes criticism.
Writing to me is a deeply personal, even a secret function and when the product I turned loose it is cut off from me and I have no sense of its being mine. Consequently criticism doesn't mean anything to me. As a disciplinary matter, it is too late.
The curious hocus-pocus of criticism I can't take seriously. It consists in squirreling up some odd phrases and then waiting for a book to come running by.
Give a critic an inch, he'll write a play.
Strength and success - they are above morality, above criticism. It seems, then, that it is not what you do, but how you do it and what you call it. Is there a check in men, deep in them, that stops or punishes? There doesn't seem to be. The only punishment is for failure. In effect no crime is committed unless a criminal is caught.
In literary criticism the critic has no choice but to make over the victim of his attention into something the size and shape of himself.
Strength and success; they are above morality, above criticism. It seems then, that it is not what you do, but how you do it and what you call it.
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