In art and dream may you proceed with abandon. In life may you proceed with balance and stealth.
The film [Dream of Life], in the end, is life-affirming, and I think it's always useful for people to be reminded that no matter how rough things get, no matter what kind of twists and turns our lives can take, we can keep going, we can create something new.
I walk alone, assaulted it seems, by tears from heaven.
The hand above turns those leaves of loves, all in all a timeless view. Each dream of life flung from paradise everlasting, ever new.
What is the soul? What color is it? I suspected my soul, being mischievous, might slip away while I was dreaming and fail to return. I did my best not to fall asleep, to keep it inside of me where it belonged.
The film [Dream of Life] is not really an amateur work, despite the fact that none of us have ever done anything like this before; aesthetically, none of us are amateurs.
I think that there is an air of experience and aesthetic sophistication that weaves in with the amateur aspects of the film [Dream of Life]; it gives the film a certain elegance.
People don't realize we have these built-in seven-league boots. The body can go anywhere. It is physically capable of sustaining almost any kind of abuse, or any dream.
The film [Dream of Life] looks at a time in my life.
I was at one of the lowest points of my life when we started this film [Dream of Life], except, of course, that I had two great children. But the film is not documenting a decline; it's documenting a rise up - first baby steps and then big steps up. The worst that could have ever happened to me had already happened. And so the film is on the ascent. And I think that gives it a nice spirit.
Those were the things on my mind [stay healthy, take care of my kids and reestablish a relationship with the people], not career, money, drugs, sex, alcohol or fun. Not that there's anything wrong with any of those things, but they aren't in the film [Dream of Life], because that wasn't my life at the time.
The truth is, no matter how modest Steven [Sebring] is, he was obsessed with the outcome of the film [Dream of Life]. Every single frame was important to him.
The film [Dream of Life] doesn't hide anything, except maybe moments of sorrow or darkness that belonged to me.
Rock n' roll is dream soup, what's your brand?
It's Steven's [Sebring] view of what he saw in traveling and working with me. But on another scale, I think the film [Dream of Life] is very humanistic: It touches on motherhood, death, birth, art, laundry, anger against the Bush administration... While I don't think it's the kind of film where one goes to find some of the darker, edgier aspects of life, the film was born of grief.
The film [Dream of Life] is the way it is because it was the rhythm of my life, and also because the director and the editor are both gifted and both fine human beings.
Since childhood, it was my dream to go where all the poets and artists had been. Rimbaud, Artaud, Brancusi, Camus, Picasso, Bresson, Goddard, Jeanne Moreau, Juliette Greco, everybody - Paris for me was a Mecca.
I think the film [Dream of Life] is life-affirming.
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