I am forced to say that I have many fiercer critics than myself.
If you're young enough, any kind of writing you do for a short period of time is a marvelous apprenticeship.
In America, we have the feeling of the doomed young artist. Fitzgerald was the great example of that.
I cringe when critics say I'm a master of the popular novel. What's an unpopular novel?
Every novelist has a different purpose-and often several purposes which might even be contradictory.
You must avoid giving hostages to fortune, like getting an expensive wife, an expensive house, and a style of living that never lets you aford the time to take the chance to write what you wish.
Posterity makes the judgments. There are going to be a lot of surprises in store for everybody.
At the height of the McCarthy period, writers were being hounded.
I've gone on the wagon, but my body doesn't believe it.
The great writers just kept bringing them out. They didn't care if they repeated themselves.
A good editor understands what you're talking and writing about and doesn't meddle too much.
A writer is a human being. He has to live with a sense of honor.
I imagine that my characters have become much more complicated than when I first began, which would be normal
Curiously, the United States is full of writers who have one big work in their life and that's all.
My views naturally have mellowed. Most of the critics have been more or less nice to me
Writing is finally play, and there's no reason why you should get paid for playing
I never show anything to anybody until I've finished it
Isaac Singer was born in Poland and doesn't write in English. Still, he's an American.
In Europe, a writer is supposed to improve up until he's about 75
My attitudes have changed, but somebody would have to read all my books to find out how they have
No writer need feel sorry for himself if he writes and enjoys it, even if he doesn't get paid.
Writing for the theater, you find yourself living a nocturnal life
I reach my readers regardless of what the critics have written
The last paragraph in which you tell what the story is about is almost always best left out.
Writers of fiction, when they begin, are more likely to try the short form
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