I think that's one of the maybe under-discussed aspects of process - the difference between a good writing day and a bad one is the quality of the split-second decisions you made.
One of the inspiring things about Susan Sarandon career is that there's a quality of real fearlessness in it - you seem to be in it for the challenge and the experience.
I might take from the current political chaos a desire to somehow reflect its essential qualities in a story - the blatant lies that get accepted with repetition; the way mass media seems to be agitating people en masse; the way, particularly, that a relatively lucky and affluent and privileged population can be undone by a certain spoiled quality; that feeling when two decent people violently disagree, because they are arguing from two non-intersecting data sets - well, the list goes on.
I guess: People who are comfortable enough with reality to allow other sorts of realities and other mindsets to just be, and then to regard these with real interest and joy [and the joy appears in the prose quality itself].
I see this quality [real interest and joy] in the work of [Pavel] Chekhov, of course, and [Alexei] Tolstoy and really just about any great writer.
My mind has an obsessive, neurotic quality, but I also have a very hard work ethic. I know that a lot of people think, oh, you have a wild imagination. I don't, really. If ten people are sitting around and someone says, "Hey complete this sentence in a funny way," I'm never ahead of the pack.
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