Movies have to handle time very efficiently. They're about stringing scenes together in the present. Novels aren't necessarily about that.
I've never written nearly as much about place as people seem to think I do. I just write about class.
I'm delighted by how Nobody's Fool turned out. It was a rare movie.
I don't think America has ever had a center the way London is the center of England or Dublin is the center of Ireland.
As I drift back into sleep, I can't help thinking that it's a wonderful thing to be right about the world. To weigh the evidence, always incomplete, and correctly intuit the whole, to see the world in a grain of sand, to recognize its beauty, its simplicity, its truth. It's as close as we get to God in this life, and reside in the glow of such brief flashes of understanding, fully awake, sometimes for two or three seconds, at peace with our existence. And then back to sleep we go.
That afternoon I came to understand that one of the deepest purposes of intellectual sophistication is to provide distance between us and our most disturbing personal truths and gnawing fears.
My God, he couldn't help thinking, how terrible it is to be that age, to have emotions so near the surface that the slightest turbulence causes them to boil over. That, very simply, was what adulthood must be all about -- acquiring the skill to bury things more deeply. Out of sight and, whenever possible, out of mind.
Structure is one of the things that I always hope will reveal itself to me.
You just kind of have faith. If that sounds kind of mystical, it's because I really don't know how it works, but I trust that it does. I try to write the way I read, in order to find out what happens next.
He looks like he could be taken in a fight. Not by me, but by somebody. Not anyone in Humanities, probably.
It's possible to overlook character flaws of in-laws for the simple reason that you feel neither responsible for them nor genetically implicated.
When I look back over my novels what I find is that when I think I'm finished with a theme, I'm generally not. And usually themes will recur from novel to novel in odd, new guises.
One of the odd things about middle age, he concluded, was the strange decisions a man discovers he's made by not really making them, like allowing friends to drift away through simple neglect.
To his surprise, she leaned over and kissed him on the forehead, a kiss so full of affection that it dispelled the awkwardness, even as it caused Miles' heart to plummet, because all kisses are calibrated, and this one revealed the great chasm between affection and love.
"If you paid me for work," continued Max, whose rhetoric was more sophisticated than you might expect from a man with food in his beard, "I wouldn't have to feel worthless. There's not law says old people have to feel worthless all the while, you know. You paid me, I'd have some dignity." Now it was Mile's turn to nod and smile agreeably. "I think the dignity ship set sail a long time ago, Dad."
In the end it all came down to companionship, to friendship, to sacrifice, to compromise.
My books are elegiac in the sense that they're odes to a nation that even I sometimes think may not exist anymore except in my memory and my imagination.
A couple years ago, the novelist Russell Banks told me he was reading the ancient Greek historian Herodotus. I asked why. He said, 'Because I've always wanted to and am tired of having my reading assigned.' I thought it was a marvelous declaration of independence.
Not everyone writes well from a child's point of view.
Since her retirement from teaching Miss Beryl's health had in many respects greatly improved, despite her advancing years. An eighth-grade classroom was an excellent place to snag whatever was in the air in the way of illness. Also depression, which, Miss Beryl believed, in conjunction with guilt, opened the door to illness. Miss Beryl didn't know any teachers who weren't habitually guilty and depressed-guilty they hadn't accomplished more with their students, depressed that very little more was possible.
The line of gray along the horizon is brighter now, and with the coming light I feel a certainty: that there is, despite our wild imaginings, only one life. The ghostly others, no matter how real they seem, no matter how badly we need them, are phantoms. The one life we're left with is sufficient to fill and refill our imperfect hearts with joy, and then to shatter them. And it never, ever lets up.
I get and read an enormous number of first novels.
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