We dont make mistakes. We have happy accidents.
If I paint something, I don't want to have to explain what it is.
I believe, I believe every day is a good day when you paint.
I never turn down requests for interviews. I'm just rarely asked.
I really believe that if you practice enough you could paint the 'Mona Lisa' with a two-inch brush.
I've never claimed that this is investment art. When we first started out, all the art colleges and universities across the country would sort of badmouth what we were doing. It's funny that a lot of them now are sending us letters saying, 'We may not totally agree with the way you paint, but we appreciate what you're doing, because you're sending literally thousands of people into art colleges.'
Little more black, little more blue. And we'll just put that in using little crisscross strokes or - or little X's, whatever you want to call them. Whatever.
Most painters want recognition, especially by their peers.
I have to paint fast on television because of the limited time, but I don't want people to see what I'm showing them as work, something to worry and fret over. This is supposed to be fun.
Tender as a mothers love... And with my mother, that was certainly true.
Within one hour of touching the brush to canvas for the first time, my students have a total, complete painting.
Traditionally, art has been for the select few.
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