It's always hard to wrap up a series. The longer I spend with the characters, the more they become like friends.
I have more ideas than I'll ever be able to write in five lifetimes.
You have to be compelled to write. If you’re not, nothing else that you do matters.
I tell aspiring writers that you have to find what you must write. When you find it, you will know, because the subject matter won’t let you go. It’s not enough to write simply because you think it would be neat to be published. You have to be compelled to write. If you’re not, nothing else that you do matters.
Writing is like a sport - you only get better if you practice
I think I write for reluctant readers. Of course I want everyone to enjoy my books, but if the kids in the back row who normally don't pick up a book are engaged with what I'm writing, along with the kids who are big readers anyway, then I really feel like I've done my job.
Writing is like a sport. If you don't practice, you don't get any better.
There!" Mars finished writing and threw the scroll at Octavian. "A prophecy. You can add it to your books, engrave it on the floor, whatever." Octavian read the scroll. "This says, 'Go to Alaska. Find Thanatos and free him. Come back by sundown on June twenty-fourth or die'." "Yes," Mars said. "Is that not clear?" "Well, my lord...usually prophecies are unclear. They're wrapped in riddles. They rhyme, and..." Mars casually popped another grenade off his belt. "Yes?" "The prophecy is clear!" Octavian announced. "A quest!
Two hundred Romans, and no one’s got a pen? Never mind!" He slung his M16 onto his back and pulled out a hand grenade. There were many screaming Romans. Then the hand grenade morphed into a ballpoint pen, and Mars began to write. Frank looked at Percy with wide eyes. He mouthed: Can your sword do grenade form? Percy mouthed back, No. Shut up.
Doubtful, but it did work... "Annabeth?" Percy said again. "You're planning something. You've got that I'm-planning-something look." "I don't have an I'm-planning-something look." "Yeah, you totally do. Your eyebrows knit and your lips press together and ---" "Do you have a pen?" she asked him. "You're kidding, right?" He brought out Riptide. "Yes, but can you actually write with it?" "I--I don't know," he admitted. "Never tried.
You wrote this right?” he said. “It tells how to defeat Set.” Thoth unfolded the papyrus pages. “Oh, dear. I hate reading my old work. Look at this sentence. I’d never write it that way now.” He patted his lab coat pockets. “Red pen—does anyone have one?” Isis chafed against my willpower, insisting that we blast some sense into Thoth. One fireball, she pleaded. Just one enormous magical fireball? I couldn’t say I was tempted, but I kept her under control. “Since when does drool make you powerful?
I come to writing the same way I come to teaching, which is that my goal is always to create life-long readers.
When I write, I'm still imagining a kid reading it on paper. I read e-books when I travel, but in general I still prefer holding an old-fashioned book in my hands. There's a special, tactile experience.
It's not easy. I got lots of rejections when I first started out. If you want to write, you have to believe in yourself and not give up. You have to do your best to practice and get better.
I enjoy writing for both kids and adults, though I think I'm better at children's stories because I was a teacher for so long, and I know that audience well. The process is no different whether I'm writing for children or adults. Really, the elements of making a good story are the same.
My eighth grade teacher, Mrs. Pabst, had done her master's thesis on Tolkien. She showed me how the trilogy was patterned after Norse mythology. She was also the first person to encourage me to submit stories for publication. The idea of writing a fantasy based on myths never left me, and many years later, this would lead me to write Percy Jackson.
It's all still about having a good story. You have to have a good story as your anchor, as your main focus. So for me, personally, I just like to concentrate on writing the best book I can, and if there's other stuff that goes along with it, that's awesome, as long as the story is central.
Back when I taught middle school and wrote adult mysteries, my students often asked me why I wasn't writing for kids. I never had a good answer for them. It took me a long time to realize they were right.
You have to read a lot so you know what good writing looks like and you get inspired. You have to write a lot because it's like a sport - you have to practice. And, also, you have to persevere. Don't give up. I got rejected on my first book, like, 14 times, but I just kept going. So believe in yourself and don't give up.
I feel incredibly fortunate to have had the level of success I've had. I was just writing stories for my own sons.
'Harry Potter' opened so many doors for young adult literature. It really did convince the publishing industry that writing for children was a viable enterprise. And it also convinced a lot of people that kids will read if we give them books that they care about and love.
Kids, if anything, are harder to write for because they are a more discerning audience. They will not stay with you if you go off on a tangent or if you give them extraneous information that doesn't serve the story. You really have to tell a tight story. You have to give them humor and suspense and believable characters. All those things that adults want too, but you have to be really on your game when you're writing for kids.
I think anytime you're writing to the middle grades, you're writing to young readers who are trapped in a number of ways between two worlds: between childhood and adulthood, between their friends and their parents.
And please God, grant me the wisdom to remember that I am writing for children, not golden stickers.
I've always found the second book in a series is the hardest to write.
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