The nerds are the ones that make the films and do loads of other really cool stuff in their life.
Normally I sit there in the films really hating watching myself. Loving watching the films, hating watching myself.
I think one of my favorite things to do is just lock myself up in a small room and listen to music and watch films for a day. Also I just like seeing my friends. We have pizza parties which means I get four friends round, we eat a pizza and we're really lazy and we play PlayStation.
There's an incredible comfort level that I have on film sets because it's where I've grown up.
And the people I'm best friends with on the films are not generally the actors.
I definitely want to go on acting for as long as I can find employment. I'm never happier than when I'm on a film set. I just want to keep working.
There were some parts of the film [Swiss Army Man] that the Daniels [Kwan and Scheinert] really wanted to look as elegant as a piece of ballet. As Hank and Manny go on in the story, they get better and better at being with each other and more and more adept - Hank knows more and more what Manny's going to need at any given point, and having that choreography helps a bit.
I think that the process of making a film is an underrated factor in how that film turns out.
I am very critical! I hate watching myself but I know I have to because I'm going to be asked so I need to have some sort of semblance of what the films with me are like. But it's not an enjoyable experience watching yourself. I hate it less than I used to but I still don't enjoy it.
I remember Paul [Dano] had said at one point that when he finished this film [Swiss Army Man] was the strongest he'd ever been just from lugging me around for [several] weeks.
Franchises aren't to be avoided. They can be exciting, and they give you opportunities to do other films.
A lot of modern horror can leave me cold, and I'm not good with blood and gore and all that stuff. It's not fun for me. There's nothing entertaining about watching a film like that.
If I die on a film set when I'm 80, I'll be happy with that.
I'm somebody who is very, very proud to have been a part of the British film industry all my life and to have kind of been involved with a very important piece of British film history.
I think it's kind of great, to be honest. I'll never do another film [like Swiss Army Man] where I get to talk about those things, so I might as well enjoy it while I can.
I think being on a film set for such a long time made me a technical actor without realizing it.
Directing is more what I would like to get into eventually. Frankly, I feel like it would be a waste if I didn't because I've spent so much time on film sets, and I know how they work, and I love them, and I love leading them. I would like to do that as a director definitely.
I've been working since I was 9, and I've never known a life without a film set.
For me, you go to university to meet lots of different people from different backgrounds. I think that's one of the most important things you get there. And you also get some sense of direction regarding what you want to do when you leave. I sort of know what I want to do in my life - I want to act and ultimately I'd like to write. And in terms of meeting people from different backgrounds, that's what you get on a film set. So the two most valuable things that university would have given me I've sort of achieved by being on a film set.
It's really good to talk about it [ hydraulic penises and prosthetic butts], and it's very gratifying when people ask us about the other aspects of the film [Swiss Army Man], but [those things] are part of the movie and they're important and hilarious, a very fun part of the movie, so there's no sense from us of not wanting to talk about that. I think it's exciting that those things exist in a film that is also very heartfelt and emotional and profound.
I would consider doing any part as long as the script is good and the film has an interesting director.
I mean I've seen 3D films so far and I think it's a long way to go before they replace actors. It's a funny thing with 3D, I haven't quite got it yet. Yet.
The idea the actors are the most important people on a film set I think is very stupid. Actors are the most replaceable people there. There are literally millions of us. There's very few people that can operate a steady-cam. The numbers are a lot, lot fewer for that, you know?
In terms of drama school, what that will give you that you won't necessarily learn on a film set is the technical ability - ie, projecting your voice and stage craft.
We sing a lot of the soundtrack in this film [Swiss Army Man] - me and Paul Dano - and on the last day of filming we had to just get into the back of our sound mixer's van and record a really crappy, rough version of the singing then. For some reason that was one of the most fun days.
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