In an age of enormities, the emotions are naturally weakened. We are continually called upon to have feelings - about genocide, for instance, or about famine or the blowing up of passenger planes - and we are all aware that we are incapable of reacting appropriately. A guilty consciousness of emotional inadequacy or impotence makes people doubt their own human weight.
In an age of madness, to expect to be untouched by madness is a form of madness. But the pursuit of sanity can be a form of madness, too
If I had a child of school age, I would send him to one of the Waldorf Schools.
I see that I've become a really bad correspondent. It's not that I don't think of you. You come into my thoughts often. But when you do it appears to me that I owe you a particularly grand letter. And so you end in the "warehouse of good intentions": "Can't do it now." "Then put it on hold." This is one's strategy for coping with old age, and with death--because one can't die with so many obligations in storage. Our clever species, so fertile and resourceful in denying its weaknesses.
I have begun in old age to understand...that we seldom if ever realize how generous we are to ourselves, and just how stingy with others.
...there is no old age of the soul.
... an era of turmoil and ideological confusion, the principal phenomenon of the present age.
From Euclid to Newton there were straight lines. The modern age analyzes the wavers.
As for types like my own, obscurely motivated by the conviction that our existence was worthless if we didn't make a turning point of it, we were assigned to the humanities, to poetry, philosophy, painting - the nursery games of humankind, which had to be left behind when the age of science began. The humanities would be called upon to choose a wallpaper for the crypt, as the end drew near.
It seems hard for the American people to believe that anything could be more exciting than the times themselves. What we read daily and view on the TV has thrust imagined forms into the shadow. We are staggeringly rich in facts, in things, and perhaps, like the nouveau riche of other ages, we want our wealth faithfully reproduced by the artist.
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