With film, oftentimes you work in a vacuum and then you get on a high wire and then you try it and then the day's over and that piece of film exists somewhere in a vault for 1000,000 years and that's it.
I took part in a theatre festival in Massachusetts two summers after I graduated from college. Then I was in Los Angeles thinking: "I'm going to go to New York." I'd decided that I would not have a chance of a film career, so I was about to make the move. I bought a plane ticket and found a place to live in New York, packed my bags and of course the universe "told me" that I was not meant to go. Suddenly, a week before I was supposed to leave, I had three job offers and one of them was my first movie.
[ The Finest Hours] reminded me a lot of a film I did called Unstoppable in that you have a driving thriller aspect of the film and it's not all that complicated of a story and there's a simple elegance to it. I liked that. It is also driven by a really strong romance and ordinary men doing extraordinary things. I love that.
I'm certainly not the lead of the film 'Wonder Woman' and I don't have a problem with that.
My grandmother was an actress too. In the thirties and forties she was under contract with Universal Studios. Crazy credits, lots of them. My dad was also under contract with Universal Studios. And my first film was shot on the same stage they both worked on at Universal.
The great thing about theater is that you have so much time to prepare, and to fail, before presenting it to the public. In film, the high-wire act seems to be that much farther up, and the net seems to be less there.
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