I want real things ... music that makes holes in the sky.
You are one of my nicest thoughts.
You get whatever accomplishment you are willing to declare.
Making your unknown known is the important thing - and keeping the unknown always beyond you - catching - crystalizing your simpler clearer vision of life - only to see it turn stale compared to what you vaguely feel ahead - that you must always keep working to grasp.
My center does not come from my mind - it feels in me like a plot of warm moist well tilled earth with the sun shining hot on it... It seems I would rather feel starkly empty than let any thing be planted that cannot be tended to the fullest possibility of its growth.
My first memory is of the brightness of light — light all around.
I do not like the idea of happiness - it is too momentary - I would say that I was always busy and interested in something - interest has more meaning to me than the idea of happiness.
I get out my work and have a show for myself before I have it publicly. I make up my own mind about it-how good or bad or indifferent it is. After that, the critics can write what they please. I have already settled it for myself so flattery and criticism go down the same drain and I am quite free.
A flower is relatively small... Still in a way-nobody sees a flower-so I said to myself-I'll paint it big.
I can't live where I want to, I can't go where I want to go, I can't do what I want to, I can't even say what I want to. I decided I was a very stupid fool not to at least paint as I wanted to.
I hate flowers - I paint them because they're cheaper than models and they don't move.
One day a hummingbird flew in-- It fluttered against the window til I got it down where I could reach it with an open umbrella-- --When I had it in my hand it was so small I couldn't believe I had it--but I could feel the intense life--so intense and so tiny-- ...You were like the humming bird to me... And I am rather inclined to feel that you and I know the best part of one another without spending much time together-- --It is not that I fear the knowing-- It is that I am at this moment willing to let you be what you are to me--it is beautiful and pure and very intensely alive.
I look at my work and make up my mind about it. After that, neither flattery nor criticism matters to me.
When I think of death, I only regret that I will not be able to see this beautiful country anymore unless the Indians are right and my spirit will walk here after I'm gone.
It seems to me very important to the idea of democracy to the country and to the world eventually that all men and women stand equal under the sky.
One works because I suppose it is the most interesting thing one knows to do. The days one works are the best days. On the other days one is hurrying through the other things one imagines one has to do to keep one's life going.
I often painted fragments of things because it seemed to make my statement as well as or better than the whole could.
That nervous energy that makes people like you and I want and go after everything in the world - bump our heads on all the hard walls and scratch our hands on all the briars - but it makes living great - doesn't it - I'm glad I want everything in the world - good and bad - bitter and sweet - I want it all and a lot of it too
Art is a wicked thing. It is what we are.
In the evening I go up in the desert and spend hours watching the sun go down, just enjoying it, and every day I go out and watch it again. I draw some and there is a little painting and so the days go by.
School and things that painters have taught me even keep me from painting as I want to. I decided I was a very stupid fool not to be at least paint as I wanted to and say what I wanted to when I painted as that seemed to be the only thing I could do that didn't concern anybody but myself. I found that I could say things with colour and shapes that I couldn't say in any other way things that I had no words for.
I know I can not paint a flower, I can not paint the sun on the desert on a bright summer morning but maybe in terms of paint colour I can convey to you my experience of the flower or the experience that makes the flower of significance to me at that particular time.
I'd been taught to paint like other people, and I thought, what's the use? I couldn't do any better than they, or even as well. I was just adding to the brushpile. So I quit.
I realized that I had things in my head not like what I had been taught - not like what I had seen - shapes and ideas so familiar to me that it hadn't occurred to me to put them down. I decided to stop painting, to put away everything I had done, and to start to say the things that were my own.
The bones seem to cut sharply to the center of something that is keenly alive on the desert even tho' it is vast and empty and untouchable... and knows no kindness with all its beauty.
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