I'm sure we're gonna meet some bumps in the road, but if it's meant to be it will happen.
When I try to sound like the contemporary sound, it never turns out that way.
Hip-hop ain't died because of the South, that's retarded. When I named the album originally, I thought I bit off more than I could chew but you'd be an idiot to think I'm talking about how the South killed hip-hop or how New York isn't where it should be or where it once was. It was like, "Damn, I need to explain this?" But I thought, "Nah, the proof is right there. We should know what it is." I expect the hip-hop audience to be avant garde. I want them to be where I'm at or beyond where I'm at.
Mostly every form of American music is dead. It's been dead. R&B isn't really good. You got a handful of great guys - Ne-Yo, R. Kelly, Usher. You have a handful of great female artists. But for the most part the music world's changing and change is good. You have to make adjustments if you want to survive in that world. You start to thinking about creative moments - bliss. When everything was all good. You realize that in comparison to the way hip-hop started off, where we should be at right now is not there.
All on the street, you get treated like a street cat: "All right, you've been eatin' enough, you're fat, get out of the way now and let somebody else come by."
Some people say I'm saying what they wanna say. Some people don't agree. Some people are outraged. Some people want to see what the album is about. To me, hip-hop's been dead for years. We all should know that, come on. With that being said, then, the object of the game now is to make money off of exploiting it. That's what it's all about - get this money. That's basically what I'm saying.
There's really nothing better than music to bring people together and to have amazing music being not just created inside walls but then decimating and activating is going to be special.
New York city is full of great spaces. The best spaces of the world are here. This is the new Europe, where the settlers came and busted out their ideas and put it down so there's nothing but great space in this great city.
Today, with the media, the internet, things get out there about anybody, anytime, so there's nothing wrong about talking about your life, because someone else is going to talk about it and mess it up.
I think hip hop allows us to talk about everything, and Africa is what I choose to talk about now. If people are not talking about Africa, that's them, that's cool, there's nothing wrong with that. But this is who I am, this is what I have to say, this is what I have to offer.
I've been lucky enough to reach a place where I can speak what's in my heart, and people know that it comes from a real place; I don't have to worry about doing what someone's not doing - I can do me.
To me, it's an honour to be accepted as a hip hop artist, it gives me a lot of opportunity to express myself.
When your so focused on what people say, how can your really be focused on the music? If you're concerned with what someone says, you aren't working on a real record. You're working on something that's just for now, to please people this very second... because you don't believe in yourself.
If you really believe in yourself and your music that much, you're gonna do your thing, regardless what people say.
I think it's harder to make a classic now, not because of what people say, but because artists now are so concerned with what people say.
I think most albums deserve a documentary because [an album] is a visual book. You don't have to read up on it because you can listen and watch the whole story. I would love to see lots of albums [become films.]
I've learned not to be surprised by what people do no more.
Me and hip-hop have a relationship that has nothing to do with no other rapper, no matter where you from or nothing. Every n*gga got his own personal relationship with hip-hop and this is mine.
I'm proud to be an American, no matter what. But Amercian culture is stale, you know wha I'm saying ? We keep regurgitating the same sh*t. And it ain't exciting. I seen it from when I was a kid watching the whole sh*t. The sh*t was exciting to me.
There's not one person in the world that's not a living, walking contradiction.
Hip-Hop is Dead cause America is dead culturally.
I push my own limits every day, every moment - in the studio, on the stage and beyond so it's truly a genuine fit.
"Never stop. Never settle." I believe in this message.
I live in L.A. because my kids do. Home is where my kids are for me.
The whole thing is, do as much as you can, when you possibly can, and don't stress.
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