I don't really believe that documentary is objective reality and fiction is all illusion.
I definitely believe in the energy of the set and the energy of the actor, way more than your written word.
I am intrigued by inanimate objects. They're a piece of history, someone's statement and ideas of life.
Film is endlessly just beyond your reach. I think that's what I love so much about it.
It's funny now how much we look at - whatever you want to call it: art, design, culture stuff, film - online, and how in the online world, you're instantly global.
Life is too short for a half-rack.
I was so happy with my bow ties from the last kickstarted project that I'm back for more.
To me, sadness and humor aren't disrelated and humor is the best tool I've had against the sadness in my life.
To me it's like, every time I'm a director, like today, you're the captain of the ship, so you better dress like it. You're the host of the party.
No one leaves the edit room thinking, 'Yeah, I nailed that one!' Everyone I know goes into their first premiere or their first screening thinking, 'I screwed up so bad. I'm sorry, I messed up.' It's just a real common feeling.
Over and over again, I'm trying to express or communicate these big and small struggles to the world, and really to myself.
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