A man paints with his brains and not with his hands.
For those who feel it, nothing makes the soul so religious and pure as the endeavor to create something perfect; for God is perfection, and whoever strives after it, is striving after something divine. True painting is only the image of the perfection of God, a shadow of the pencil with which he paints, a melody, a striving after harmony.
Painters are not in any way unsociable through pride, but either because they find few pursuits equal to painting, or in order not to corrupt themselves with the useless conversation of idle people, and debase the intellect from the lofty imaginations in which they are always absorbed.
Good painting is nothing else but a copy of the perfections of God and a reminder of His painting. Finally, good painting is a music and a melody which intellect only can appreciate, and with great difficulty.
The science of design, or of line-drawing, if you like to use this term, is the source and very essence of painting, sculpture, architecture... Sometimes... it seems to me that... all the works of the human brain and hand are either design itself or a branch of that art.
Good painting is the kind that looks like sculpture.
Sculpture is made by taking away, while painting is made by adding.
It is not sufficient merely to be a great master in painting and very wise, but I think that it is necessary for the painter to be very moral in his mode of life, or even, if such were possible, a saint, so that the Holy Spirit may inspire his intellect.
I sometimes set myself thinking and imagining that I find amongst men but one single art or science, and that is drawing or painting, all others being members proceeding therefrom.
What one has most to work and struggle for in painting is to do the work with a great amount of labour and sweat in such a way that it may afterward appear, however much it was laboured upon, to have been done almost quickly and almost without any labour, and very easily, although it was not.
It is better decoration when, in painting, some monstrosity is introduced for variety and a relaxation of the senses and to attract the attention of mortal eyes, which at times desire to see that which they have never seen.
In my opinion painting should be considered excellent in proportion as it approaches the effect of relief, while relief should be considered bad in proportion as it approaches the effect of painting.
Painting and sculpture, labour and good faith, have been my ruin and I continually go from bad to worse. Better it would have been for me if I had set myself to making matches in my youth. I should not be in such distress of mind.
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