When I open my mouth and sing, the truth comes out. When I write, the truth comes out. I can't lie. That, I think, is one of the strongest elements of my music. When people talk about my writing as though I'm doing it from an accountant's perspective, it really pisses me off.
I've done too many stupid things for there not to be movies made about me when I'm dead, so I might as well write the script.
A lot of people felt that I was just tying that into the "I Want Your Sex" theme because of the AIDS thing and the prospect of the song's being banned. I thought it was a relevant point to make because of the AIDS thing. I wanted to write a song which sounded dirty but which was applicable to someone that I really cared about. That was my point.
I was supposed to be a real Thatcherite. Just by dint of being a first-generation immigrant and having not had money, and then suddenly having it - and getting on planes and going to Ibiza and sitting around in thongs. But actually nothing I was writing or doing was even vaguely Thatcherite.
Things that I was writing for Wham! were a strong indication of what my future album would be like. But most people got so lost in our image and found it pretty repulsive.
I've been approached many times by many different people, and most people want to do something that I write and produce, and I'm just not into that.
When I write and produce something, I know exactly how I want it to sound, and I have a very strong interpretation of it. I can't really think of anyone at the moment I'd particularly like to play a duet with. You never know, though, I might receive an offer tomorrow and say, "Yeah, that'd be great." But it's not something that's on my mind.
[My mother] is much more musical, and by the time I started writing songs - by the time I was about 17 - she started to believe in me, musically.
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